BookBin2013: Mr. CSI: How a Vegas Dreamer Made a Killing in Hollywood, One Body at a Time

mrcsi

As you can already tell by the types of books I review here at the lair, I don’t read many autobiographies, biographies, or memoirs. I suppose because I’d much rather lose myself to a good fictional tale or immerse myself in the non-fiction minutia of one of my nerdy fandoms. I do (infrequently) purchase these more people-oriented books, if it’s about or by someone I’m terribly interested in, but they tend to languish, unread, far longer than my other purchases. Apparently, my general disinterest in people extends beyond the every-day disdain and into my free-time reading choices.

What better way to start to ease myself into the task of tackling at least some of the bio-esque books from my collection than through one of my nerdy fandoms? That’s why this review, denizens, is brought to you by three of my favorite letters in the alphabet: C, S, and I.

That’s Mr. CSI to you, however…or, if you’d rather, Anthony Zuiker, creator of that smexy team of Vegas criminalists that made science-based procedurals ubiquitous across the channel spectrum. In traditional memoir style, Zuiker maps for us the path that led him to create the biggest cash-cow franchise that Paramount’s sunk their teeth into, possibly since Trek.

What I found most intriguing about this book is that, for the most part, it’s Zuiker telling us absolutely nothing about CSI…while telling us absolutely everything about CSI. It almost reads like an episode script: Give the reader a stunning cold open, then flash into back story, full of clues and foreshadowing all along the way, and see if they can piece it all together on their own.

There’s even a grisly crime scene and guest appearances by real people who inspired characters from the Vegas series. Zuiker confirms the identity of one of his inspirations. Others are very obvious, even if they remain unidentified.

I have to admit, denizens: I really enjoyed this book. Not all that surprising, I suppose, considering the source material. However, before I read this, I didn’t know anything about Zuiker; I didn’t even know what he looked like until I saw the book cover. I had no idea that he grew up in Vegas, surrounded by the people who would later populate the world of his greatest professional creation to date. Reading this book gave me some great CSI trivia as well as a pretty decent understanding of what motivated Zuiker, not just to create this show but to persist in all his creative endeavors. I guess you could say this is kind of a memoir/detective novel/self-help/motivational speaker book.

Whatever you classify it as, it’s a quick, enjoyable read, but definitely meant primarily for CSI fans. You might enjoy some aspects of it if you’ve never watched CSI, but you’re going to miss a lot. “True believers,” however, will probably really dig the ride. I know I did.

Final Verdict: Yeah, this one’s a keeper. I actually have a shelf dedicated to memoirs and such, and Zuiker has definitely earned his spot…now, excuse me while I go cordon it off with some crime scene tape…

BookBin2013: Batwoman Volume 1: Hydrology / Batgirl Volume 1: The Darkest Reflection

batwoman_batgirl

Please don’t think that because I have paired these two books into one review I don’t think they are worthy of their own individual posts. I can assure you, denizens, this is not the case. However, it just so happens that I purchased both of these “New 52” collections at the same time (along with my very own copy of Alan Moore’s The Killing Joke, which I have already reviewed but mention because it will play a part in the following review). I also happened to read these two collections successively, which sparked a bit of “compare-and-contrast” within my swirly brain.

First, a bit of exposition: Both are collections of the first comics for each heroine under the recent DC Comics “reboot.” I use reboot loosely, however, because it kind of was a reboot…but not really. In my mind, a reboot would have meant total tabula rasa for all the characters involved. This wasn’t exactly the case, at least for Kate Kane and Barbara Gordon.

For example, Barbara Gordon is, indeed, once more Batgirl. However, she is still the same Barbara Gordon who was shot at point-blank range by the Joker in The Killing Joke. Part of her history is still those years she spent in a wheelchair and the time she spent known as Oracle, the brains behind the Birds of Prey.

Kate Kane is still the wealthy “playgirl” of Gotham with a military history that was curtailed by “Don’t Ask, Don’t Tell.” She also still carries with her the baggage of dark truths revealed in the anthology Elegy.

So not necessarily a complete reboot in the truest sense of the word. However, it was enough of a reboot to get Gordon back into that Batgirl costume, which I definitely appreciate. Even more, it was enough to get Gail Simone in to take over telling Batgirl’s second chance at bat.

Heh. Get it? Bat. Never mind.

Simone’s name on the cover of The Darkest Reflection is ultimately what lured me into Batgirl’s story. I spoke about my thoughts on Simone’s prowess as a comic writer in my review of Wonder Woman: The Circle. She did wonders (I’m sorry; I’ll stop doing that, I swear) for Diana of Themyscira. She was also responsible for telling Gordon’s tale as Oracle for many issues as head writer for Birds of Prey, so I knew she already had a connection with and understanding of Gordon that most writers wouldn’t already have.

Similarly, it was seeing J.H. Williams, III’s name on Hydrology that lured me once more back into Batwoman’s storyline. Williams was the artistic brilliance behind Elegy, so I knew the art once again would be exemplary. However, this time, Williams was also the writer, taking over the Batwoman mythology from Greg Rucka. I honestly think this was the collection’s biggest weakness. Not only was Rucka a more captivating and comprehensive writer, I think taking on both roles caused Williams’s art to suffer a bit. But only a bit, mind you. Between the two collections, I would choose Williams as the more stunning and unconventional artist. Still, I think that writing and drawing were too taxing for Williams. His artwork was nowhere near as astonishing as it was for Elegy.

Sticking for a moment with commentary on the artwork, I will say this in favor of Ardian Syaf, the artist behind Batgirl’s return: I much preferred his rendering of Gordon as Batgirl to Williams’s rendering of Kane as Batwoman. Batgirl came across as fit, athletic, limber, and lithe. She has a sporty physique and her Batgirl costume is modestly rendered. She looks like she’s ready to do battle with villains.

Batwoman, on the other hand, at times looks like she’s ready to take a spin or two around a pole in Gotham’s redlight district. Pendulous breasts and a generous derriere, covered in latex in a way that leaves little to the imagination, Batwoman is also drawn in a far more provocative manner than Batgirl. Translation: There are lots more stereotypical comic renderings of Batwoman from utterly ridiculous but obviously “male gaze” angles than there are of Batgirl.

Syaf’s take on Batgirl is celebratory of the female form, while Williams’s take on Batwoman comes across many times as exploitative. It’s a shame, really. I want to like Batwoman more than Batgirl, but I find comics that depict women so wantonly to be insulting and, truthfully, kind of sad.

I can’t help but wonder if the moderation of Syaf’s artwork was due to Simone’s presence. Did Simone let Syaf know that she didn’t want Batgirl coming across as one step above a Playboy Playmate? Or did Syaf perhaps refrain from the more lascivious artwork out of deference to Simone? Or maybe it has less to do with Simone and more to do with the one primary difference between the two characters names: Gordon is a Bat girl, while Kane is a Bat woman. Perhaps the “girl” nom de guerre grants her a reprieve from the more pornographic postures?

Of course, this isn’t to say that Syaf didn’t ever present Batgirl in some of those predictably provocative male gaze positions. There are a couple of doozies in this collection, actually. Williams, however, is the guilty party between the two artists when it comes to objectifying artwork.

As for the storytelling itself, I’m going to have to also give my vote to Batgirl. Just as I mentioned in my review of Simone’s writing for Wonder Woman, here she again presents her primary character in a wonderfully and holistically developed fashion. Barbara Gordon is believable, replete with damage, fear, guilty, wonder, and joy. Williams simply fails to provide Kate Kane with the same level of dimensionality, presence, or realism. He gives it the old college try, but, in the end, he lacks the inherent connection with and understanding of Kate Kane that a female writer

Flashback Friday: Spuds MacKenzie

spuds

Wouldn’t you have wanted to have been in on the brainstorming session that let to the invention of Spuds MacKenzie, Bud Light’s “Original Party Animal”? I mean, honestly, what could that pitch have possibly sounded like?

“Well, gentlemen, we’re here to come up with a new advertising campaign to yet again distract drinkers from the fact that our product tastes like it came out the wrong end of one of our Clydesdales. So what I propose is that we create a character guaranteed to secure our place with a heretofore completely untapped market: children. Children and really stupid adults gullible enough to believe that if our beer is good enough to get hot chicks for a dog…it’ll be good enough to do the same for them.”

And thus Spuds MacKenzie was born, and Anheuser-Busch secured their place, right alongside Camel cigarettes and their cartoon-cool mascot Joe, as unscrupulous capitalists so hell-bent on making money that they would willingly market their drugs of choice to kids.

Of course, Anheuser-Busch swore ignorance. How dare you all! Spuds wasn’t for kids! If he were meant to attract kids, there would have been stuffed animals and T-shirts and toys and cartoon versions and…oh.

Yeah. How do I know Spuds was meant for kids? Because I was a kid when he first appeared in the late 80s…and I loved him. I used to draw him. I had a couple of stuffed Spuds. I even once got in trouble at my uptight religious school for wearing a Spuds MacKenzie T-Shirt to class one day (admittedly not the brightest choice, but I was 11). The teacher told me that I either had to go into the restroom and turn my shirt inside out or he would have to call my parents and send me home. Looking back, I should have taken option B. Oh, and for the record, this was the shirt I had, only mine was white rather than yellow:

spudsshirt

Look at that adorable cartoony punim! Spuds was totally for kids. True, they softened the blow (or perhaps hardened it?) by adding the “Spudettes,” a bevvy of beautiful women who accompanied Spuds wherever his adventurous beer-swilling life led him: the beach, the red carpet, the Olympics. Bud Light, the beer of gold medalists the world over!

[youtube http://www.youtube.com/watch?v=deqx2VeiLaY&w=480&h=360]

Right.

We were all so very young and innocent once, denizens. Most of us. Some of us were just stupid.

While looking at some commercials on YouTube for ones to post with this Flashback, I came across this bizarre snippet from some Dick Clark show. It’s of Clark “interviewing” Spuds MacKenzie…although, really, it’s just Clark chatting up the Spudettes while Spuds sat on one of their laps in a doggie-sized tuxedo. Two things to note: Lela Rochon, who would later appear in movies like Harlem Nights, Boomerang, Waiting to Exhale, and Any Given Sunday, was one of the Spudettes; and the poor dog is so pathetically doped that PETA should have done an emergency rescue after this was aired:

[youtube http://www.youtube.com/watch?v=z6guVf_EBHs&w=560&h=315]

One thing to note from this clip (just one?!): the dog that played Spuds MacKenzie actually was a female Bull Terrier (named, of all things, Honey Tree Evil Eye, according to the scion of truth, Wikipedia). Because, really, who wants dog peener in a commercial for a beer that already tastes like pee?

[youtube http://www.youtube.com/watch?v=9Fm3_kj9DL8&w=480&h=360]

P.S. – Robin Leach, really? Really?

BookBin2013: Mortuary Confidential: Undertakers Spill the Dirt

mortuary

Ah, nothing like starting the new BookBin off with a happy read, no? I’ve had Mortuary Confidential, compiled by funeral directors Kenneth McKenzie and Todd Harra, since the summer (it was actually bought for me as “beach reading,” but I wasn’t able to finish my other books quickly enough to partake of such a delightfully macabre experience as reading a book like this surrounded by sea, sand, and sun).

The first thing I noticed when I flipped open my copy was a large advertisement, printed on the inside of the front cover, for Never Suck a Dead Man’s Hand: Curious Adventures of a CSI. I’ve read CSI Dana Kollmann’s book. It was one of my favorite finds for 2011. I took this as a good omen. Looking back, I realize that it was just a publication company advertising another of their books that they thought might “pair well” with the obvious death themes of Mortuary Confidential.

That’s not to say that I didn’t enjoy this book. It was entertaining enough, full of anecdotes that were poignant, funny, informative, and odd. In our world of constant online connectivity, though, I feel like books like this would be better served as a blog to which people can constantly contribute stories. Something, perhaps, like The Darwin Awards (which also lost a great deal of its quirky charm, imho, when turned into a book series). Something interactive, constantly growing, constantly changing. I suppose what I’m ultimately saying is that this concept seems too…alive to be limited to staid book status.

Final Verdict: I enjoyed reading Mortuary Confidential, but I don’t think I would ever revisit it. Again, though, if this were an interactive site, with new stories added constantly, I believe I would definitely bookmark it for regular visits.

Flashback Friday: Adventures in Babysitting

I’ve actually wanted to write about Adventures in Babysitting for a while. I even mentioned it in a previous Flashback on sleepovers. This wasn’t a traditional go-to sleepover movie, like Clue, but honestly? It would have worked for me. I love this movie. Then again, how do you not love a movie that starts like this:

[youtube http://www.youtube.com/watch?v=Nly-bfguf4k&w=560&h=315]

JOSH LYMAN!! “SO COOL.”

I still know all the words to this song because of this movie. I also still know all the words to this song as well:

[youtube http://www.youtube.com/watch?v=aK_NSiPB52U&w=480&h=360]

Look, kids! Diversity! As only a 1980s movie geared toward middle-class White people can do it. Blues, indeed.

I kid, of course. Kind of. Heavens know that director Chris Columbus had good intentions, even if he does tend to deliver them wrapped in treacly finery. How he ended up directing the first two Harry Potter movies still confounds me.

Still, Adventures in Babysitting was one of my absolute favorite movies when I was a kid. I will still stop any time it’s on television. I still think of this movie first whenever I see Elisabeth Shue. Doesn’t matter that I’ve seen her in many movies since…doesn’t matter that it’s close to 30 years since she made this movie (WTF?!?) and that she’s going to turn 50 this year…doesn’t matter that she nearly won an Oscar for playing a Vegas hooker…or even that she’s once more back in Sin City, this time working my favorite Vegas beat of all:

shue

She’s first and foremost Chris Parker, and for this reason alone, no one should ever fuck with her. Not even the Lords of Hell.

Amazingly enough, I don’t own this on DVD, although I still have my very well-loved VHS copy, purchased many moons ago from Suncoast (ooh, look at all these Flashback callbacks! HOLLA!). I really don’t know why I don’t own this. I should probably fix this, if only for this scene alone…actually, you know what? Here, denizens. Just…here:

[youtube http://www.youtube.com/watch?v=LN5IUKV07us&w=560&h=315]

I’ve no idea how long this link will last. Enjoy it while you can…or I might be forced to spike your Tab with Drano…

BookBin2012: Blacksad: A Silent Hell

blacksadsilenthell

I know, I know: It’s no longer officially 2012. However, I did finish this book last year (ooh, that feels so weird to write), so it still qualifies…even if I was too lazy to get here to post the review before the calendar switched.

You might recall that a couple of years ago, I read and completely fell in love with the first Blacksad collection. Of course, the moment I learned there was a new book, I didn’t even hesitate. I hit that one-click order button on Amazon.com faster than you can say anthropomorphic animals.

This time, rather than being a collection of stories, Blacksad: A Silent Hell is only one story, plus a couple of somewhat lackluster shorts at the end. However, the main story is full of that film noir fury that made the first collection so enjoyable and memorable for me. Also, it’s another chance to enjoy the luscious artwork of Juanjo Guarnido. Honestly, denizens, he’s one of the most amazing artists working in the field today. Each panel is amazing, and honestly I believe he even bested his previous Blacksad work with some incredible artistry for A Silent Hell. Gorgeous. Simply gorgeous.

There’s not much else to say. It’s a gritty detective tale, this time set in New Orleans. I have to admit, I did enjoy the fact that it was set in the Big Easy. I enjoyed even more my own personal “Where’s Waldo” moment when I spotted a character in the foreground of one of the crowded street scenes who was obviously based on the physical characteristics of a very famous New Orleans literary figure. I’ll leave it at that. But I’ll be sure to make a note of his appearance in one of my Big Chief writing tablets. (A nice cold Dr. Nut to the first person to crack this code.)

Guarnido gave an enormous level of effort in getting details of the city and its outlying areas as close to recognizable as possible. So close that at times I could almost hear the rattle of the street cars as they lumbered through the Magazine district or the raging jazz and blues as they tumbled out of open doors and into the deepest corners of the French Quarter. If I haven’t made this point yet to you, please note: Guarnido’s artwork makes every page worth studying, absorbing, enjoying, and finally returning to over and over again.

Final Verdict: Definitely a keeper, already nestled onto my shelf, right next to its “big brother” Blacksad. And thus ends my reading efforts for 2012. I made it to 40 books in 2012, which was 11 shy of my record since I started writing reviews here at the lair and 6 shy of my reads from last year. I’m okay with this. I’m less okay with the fact that I only read 6 books from my own collection while I read 30 from the library. If I’d read 30 from my own collection, I could have almost completely obliterated at least two of the stacks of books piled up around my nightstand! So I’m going to make a concerted effort this year to again focus on my own collection. Is that my resolution? I suppose it is.

Read on, denizens. Read on…

BookBin2012: Voluntary Madness: My Year Lost and Found in the Loony Bin

vm-nv

A few years ago, I discovered journalist and author Norah Vincent through her book Self-Made Man: One Woman’s Year Disguised as a Man The title of the book kind of gives away the plot: Vincent spent a year (18 months, actually), living as a man, doing manly things, hanging out with manly men. And monks. Manly monks. It was a level of undercover or “immersive” journalism reminiscent of White journalist John Howard Griffin’s Black Like Me, which documented his 6-week experiment disguising himself as a Black man in the still racially segregated Southern states of Louisiana, Mississippi, Alabama, and Georgia.

Griffin actually went through a procedure, under medical supervision, to artificially darken his skin for his experiment. Vincent’s dedication was a bit less risky, but she truly did immerse herself in her mission. The resultant book was…well, I have mixed feelings about this particular work. I’ve yet to read a review of Self-Made Man that doesn’t at some point reference Black Like Me, and rightfully so. Both books are unique in their earnest attempts to “walk a mile,” one in the skin of another and one in the gender of another.

However, I feel as though Griffin’s decision to go undercover in an attempt to better understand through experience the pervasive racism of his home turf (he hailed from Dallas, Texas) carried with it more weight and justification than Vincent’s ultimate betrayal of trust placed in “him” by people who weren’t doing anything beyond living their lives. I applaud Vincent’s attempts to try to understand the male psyche, but it simply did not carry with it the gravitas of Griffin’s experiment, and in the end, it fell far short of any groundbreaking revelations.

Why mention it at all? Both because I do think it merits reading (I will rarely discourage the reading of any book), and also because, by the end of her time of total immersion as a man, Vincent went through a bit of a mental breakdown. The end result was that she ended up checking herself into a psychiatric ward.

And, thus, another idea for immersion journalism was born.

Voluntary Madness is Vincent’s latest undercover exploits. This time, she voluntarily commits herself to three different facilities most common to U.S. mental health treatment: a psychiatric ward at a big-city public hospital, a rural private psychiatric hospital, and a more exclusive “alternative treatment” program.

I felt supremely conflicted about this book the moment I saw it. Whereas Self-Made Man was a book that I felt I could describe as “objectively objectionable” at points, I knew that Voluntary Madness would be a far more subjective reading experience. I grew up with a front-row seat to a severe mental illness and all that such a disease entails. I’ve seen the public hospital mental wards…I’ve even seen the private psychiatric hospitals. I know ultimately what a horribly unfunny joke the mental health industry is in this country.

To learn that Vincent went into these places, cloaked only in partial truth regarding her need for mental health help, caused me to bristle. It’s one thing to play mentally stable people as she did in her first immersive project. To do the same with the mentally ill, even if it was in an attempt to bring to greater scrutiny the questionable treatment they are receiving, felt like a betrayal of something sacrosanct to me.

It was only during her stay at the public hospital that she encountered the most distressingly mentally ill: the schizophrenics, the dissociative disorders, the borderline personalities. And it was only during her time at the “alternative treatment” center that she seemed to find true balance and true mental clarity. It was also in this more exclusive program that she encountered people whose only “mental illness” seemed to be a terminal case of being overindulged brats with daddy complexes who were only there because they were trying to dodge jail time.

Yes, that was a totally subjective judgment. It angered me, however, to read about the incredible treatment afforded to people who barely bothered to stay awake through group sessions while in public hospitals all across this country, such attentive holistic care might actually prove to be the balm so desperately needed by the truly ill. Instead, they’re simply shot up, doped up, weighed down with medications dumped into the mental healthcare arena by pill pushing pimps from the pharmaceutical companies who basically own the public (and some of the private) facilities. And, as Vincent discovered, most of the psychiatrists prescribing these pills say nothing to their patients of the horrifying spiel of side effects that come along with most of these drugs: weight gain, uncontrollable food cravings, diabetes, uncontrollable muscle spasms, kidney damage, liver damage, lethargy…a whole litany of liabilities that more often than not place you on a one-way path to inevitable system failure. But who cares, as long as it gets you out of the hospital. At least until your next committal.

Besides, isn’t it much easier to just load up patients with drugs that suppress all their problems rather than actually spend time and effort working with them? Again, non-objective observation. And, for the record, I do understand that a textbook case of depression such as what Vincent suffers from is nothing like working with someone with schizophrenia. One comes and goes and is relatively manageable. One is permanent, persistent, ultimately drug-resistant, and only guaranteed to worsen with time. I was told once by an acquaintance who worked in the mental health profession that “terminal mental illnesses” were the ones that no doctor wanted to get, because there was no hope for improvement…just maintaining the status quo for as long as possible, until the next inevitable decline.

It shouldn’t be surprising, then, that many mental healthcare providers lose their humanity when they find themselves surrounded by the more distressing mentally ill. For example, the workers Vincent encountered in the public hospital had built up emotional barricades that made them come across as cold and callous. Honestly, I can’t imagine working in a place like a public psychiatric ward without developing a thick emotional armor.

I think that Vincent’s goals with this project were noble in intent. I also think that they brought to light the problems and the positives of the U.S. mental health system. Sadly, there seem to be far more problems, and not many solutions about how to fix them. In light of all the heartbreaking tragedies we’ve seen, even just in this past year, with obviously mentally unstable individuals gunning down innocent people, I think this project should be given extra scrutiny. Vincent has shown us only a sliver of the issues. There needs to be a broader national discourse…something that delves far deeper than branding the mentally ill with derogatory names (you’ll notice that even Vincent’s original book subtitle uses the term “loony bin”; it was changed for the paperback to “Lost and Found in the Mental Healthcare System”) or, even less helpful, branding them “evil.” As if attaching the yolk of this stigma around them dismisses us all from culpability. It’s the same as women jurors branding a rape victim a “whore” as a means of excusing themselves from the truth that such an act of violence could happen to anyone.

Mental illness can happen to anyone. For this reason alone, we should be more understanding and more eager to see more done to understand. But the violence that we have seen all across this country, committed by people who, in the aftermath interviews, were almost always described as “off” or “unstable” or “ill”…we have the ability to help these people or to at least perhaps cut them off at the pass before they reach the point of picking up a weapon and causing such grief and heartbreak.

Final Verdict: One more library book for the “Buy Me Later” pile, if only to have a copy on hand to share with others. I do believe that Vincent’s latest immersive journalistic effort is worth reading on a large scale.

Flashback Friday: Planters Cheez Balls

planterscheezballs

I know…it’s been a while since I took you all on a Flashback journey. You simply would not believe the year I’ve been having. But that’s for another time, another post.

Maybe.

Today, I’m feeling festively reminiscent. Boxes have been arriving all week at the lair, and I’ve been scampering about, putting together presents and packages that I hope will make those I care about understand that, even though I’m notoriously terrible at giving “the right thing,” my sometimes strange or questionable gift choices come from a place of love. Quirky, nerdy love.

What does this have to do with Planters Cheez Balls? When I was a kid, one of the most awesome gifts we’d get each year as a family would be the big bag of goodies that my aunt and uncle would put together for us. These bags were like present potpourri…everything was in there! A rotating cavalcade of chocolates, candy, trinkets, tchotchkes, tools, ornaments, stuffed animals, and more…but always…always a canister of Planters Cheez Balls.

I don’t even know what it was about these frighteningly Day-Glo orange “puffed cheese flavor” balls, but they were like gold in our world. Sought, prized, pilfered, and fought over. Nothing was more wonderful than crunching blissfully away, one cheez ball at a time, a bright orange patina dusting our lips and fingertips. Subsequently, nothing was sadder than reaching in and hitting nothing but the bottom of the canister.

For some unfathomable reasons, Planters discontinued Cheez Balls. I know I’m not the only one who found them achingly addictive, so it makes me wonder if they weren’t sent to pasture more for horrifyingly high fat contents than for lack of interest. I don’t remember nutrition facts…but I do know that, to this day, my inner fat girl would body-slam you in a heartbeat to get her hands on a canister.

You have been warned.

I wish I could find some of these canisters now, if only for nostalgia. If only because, strangely, these unnaturally colored, artificially flavored offenses to my English major spell-checker sensibilities are synonymous in my mind to love. I would give a canister to everyone on my list and hope that they understood the deeper meaning of my quirky, nerdy intentions.

Cheez Balls mean I love you.

BookBin2012: The Silence of Our Friends

soof

I actually finished Mark Long’s graphic novel The Silence of Our Friends a while ago. However, I wanted to say so much about this novel…and I could never really find the time to write down all the thoughts that I had and all the social commentary I wanted to examine. Things have been so tumultuous lately…but with every day that passed that I didn’t get the chance to write about this, the more heavily it preyed upon me. It wasn’t until this morning that I realized that it had become something so much more than just another BookBin review, and that the proportions to which it had grown mentally were now making it nearly insurmountable.

That’s not what should have happened. That’s not what I ever intended. So, let’s reel it back and start with something simple. Here is the book’s description:

As the civil rights struggle heats up in Texas, two families