I debated a long time whether or not I would include this movie in my Cravenous series. First, it’s clearly taking me a while to get through all of Wes Craven’s films. It’s a matter of timing, really. My work life hasn’t pulled punches in a very long time, so my time to do things I enjoy, like write long-winded blog posts, is very, very, very limited.
Then there is the fact that Craven didn’t direct this film, as originally planned. If you remember from my Craven quote in my review of Cursed, he mentioned that he was supposed to direct the film but the undying nature of that terrible werewolf movie made it impossible. Because of that and other “cursed” kerfuffling, Dimension ended up pulling the plug on Pulse. I have a feeling that the Craven/Dimension relationship really soured with the behind-the-scenes fiasco that was that horrible werewolf movie. In the end, (still) virtual unknown Jim Sonzero ended up directing Craven’s script while Craven went on to make several non-Dimension films.
So why did I decide to review this one? Basically because Craven did write the screenplay. I made a decision at the beginning of this series that I wouldn’t include the movies that Craven produced, since he didn’t really have a whole lot to do with those beyond ponying up the money to make them. Ultimately, I considered Craven’s writing and directing contributions to the horror genre to be the two most important from his career. I even strongly debated the inclusion of A Nightmare on Elm Street 3: The Dream Warriors, since Craven was listed as part of the writing team for that film. However, his original screenplay was so overwhelmingly rewritten, reworked, reshaped, and revised by numerous people that I didn’t really think it was fair to include it in this list. Pretty much the only thing that I think was left from Craven’s ideas for that film was the idea of Freddy having grown so strong by that point that a whole group of teenagers needed to defeat him rather than just one. Oh, and it was Craven’s idea to bring back Nancy.
For the American remake of Pulse, however, Craven was only one of two writers listed in the credits. The other credit (minus Kiyoshi Kurosawa, who wrote the original 2001 Japanese film, Kairo) is Ray Wright. He had one credit prior to this movie, and only has three more since, so I’m going to assume that he would have been the second-string writer on this script. Maybe Dimension brought him in to make changes to update it or make it more in line with what the Weinsteins wanted. Who knows. The bottom line, though, is that the script is definitely a mostly Craven product.
Unfortunately, it’s also one of his less well-made products. True, he might have been able to work some miracles with the script had he gotten to direct it as he had wished. He would have had say in casting, in locations, in filming choices, in rewrites as he went along