BookBin2016: Wonder Woman ’77 Volume 1

See, denizens? I told you that, for my next reviewed book, it would be imperative that the artists made the character look like her Hollywood counterpart, didn’t I? Well, that they did…and I couldn’t be more delighted by the end result.

I admit that I was incredibly concerned when I first learned that DC Comics was going to do a comics series based on Lynda Carter’s television portrayal of Wonder Woman. Why? Because they’d assigned Marc Andreyko to pen the stories. Andreyko is the putz who destroyed Batwoman with a story line that turned disturbing in such a way that I didn’t even bother buying the final collection of her previous run. To be honest, if it weren’t for the fact that DC Comics has decided to give Batwoman a new go with her own Rebirth series, I probably wouldn’t have bothered with this collection at all. I can hold a grudge like no one’s business.

Wonder Woman ’77 seems to be precisely what Andreyko needed to redeem himself (at least to me) and what he excels at creating. I was pleasantly surprised by how reminiscent the stories were to those Wonder Woman episodes that I loved so much when I was a kid (and still love, thank you very much). Not only were they reminiscent, but they were so respectful and reverential of that show. Lynda Carter’s portrayal of Princess Diana of Paradise Island was so important and influential to so many people that to do her any injustice would have been unforgivable to many fans. I’m delighted to report that, in my humble opinion, this collection paid her the respect and honor she deserves.

Also, the artwork was so impressive and such a pleasure to behold:

Artists Drew Johnson, Matt Haley, Richard Ortiz, Jason Badower, and Cat Staggs provided penciling and coloring that made Diana Prince and Wonder Woman shine in every single panel. And Steve Trevor be Steve Trevor, in all his Waggonerian glory. Plus, the celebration of all things 70s throughout the artwork and stories inspired quite a bit of uncontrollable smiling and laughter from me. That’s why they note in the collection’s title that this is Wonder Woman as she appeared in the 1977 season of her show. ABC dropped the show after one season, which they had set during World War II. When CBS then picked up the show for its second season, they decided to move it to modern times. I don’t know if DC Comics plans on doing anything in this series that might hearken back to Diana Prince’s time in the WAVES and the war, but I’m more than happy to get my paws on the next collection to find out.

Final Verdict: I’m pretty sure I just let that cat out of the bag. Again, not earth-shattering storytelling in any way, but so respectful and so fun to read and enjoy. Also, I do believe that DC Comics has done something similar for Adam West’s Batman ’66…I also believe that the next collection of Wonder Woman ’77 comics might even cross streams with that series. Oh, and don’t even get me started on the fact that they’ve just started another crossover with Lynda Carter’s Wonder Woman in which she gets to team up with Lindsay Wagner’s Bionic Woman. Seriously, my heart might explode from all the love that I have for both these characters when I finally get my hands on that collection.

BookBin2015: Batwoman Volume 5: Webs

batwoman_webs

This, sadly, is going to be both my shortest Batwoman review and my last Batwoman review. At least for now. They’ve ended her solo run and, while there is one final graphic novel out there, I have no intention of buying it. I couldn’t care less how Marc Andreyko ended this series. By the time I finished this graphic novel, I was left so apathetic that I couldn’t even muster the energy to be furious that the last two pages pretty much seemed to imply that Batwoman was about to be raped by her new nemesis, Nocturna.

Okay, not completely bereft of fury. Seriously, DC? It’s not okay for Batwoman to marry her girlfriend but it’s okay for her new enemy to mentally Roofie her as she’s trying to fall asleep and trick her into believing she’s someone else so that Batwoman won’t fight her off? Oh, and really subtle artwork in that last panel, of Nocturna, who is apparently a vampire or vampire-like character, penetrating Batwoman with her fangs while Batwoman arches back against her while wearing just a camisole and undies. And with a look on her face as if she were enjoying what was happening to her. Great message there. Absolutely.

What utter bullshit. Sorry, but there’s no tactful way to put it. The whole novel was just example after example of piss-poor writing and some of the most mediocre artwork to ever grace a Batwoman comic. There was nothing satisfying about any of this collection, starting with Andreyko’s terribly anticlimactic ending to the story arc that Williams and Blackman started (and should have been allowed to end, dammit). And then to end the novel on that so-not-kosher, rapey WTAF were you thinking note? Allow me to be thoroughly clear with this sentiment, DC Comics. Fuck. You.

So utterly disappointing. Thanks, DC, for ruining my current favorite character from your comics line. Oh, and it looks like you’ve turned Batgirl into a character I don’t really want to follow anymore either. Thanks. For nothing.

Final Verdict: The only redeemable thing about this collection is the clean copy of that great WWII-era artwork of Batwoman as one of the ball players from the All American Girls Professional Baseball League. I think I’m probably just going to slice that out and then get rid of the rest of the book. Not even going to donate it. Just going to toss it in the recycle bin. That’s how much I hated this collection.