I know I’m calling this one early, but I’m going to have to say that Chiller is probably going to be my least favorite film from Craven’s directorial oeuvre.
It’s not that Craven did a terrible job on directing. It was a nice, solid, middle-of-the-road effort for a movie that was…meh. Not the worst made-for-television movie. Not the best. Just meh.
The story, written by J.D. Feigelson (who apparently had a very brief career as a screenwriter of other equally unmemorable-sounding horror scripts), contemplates what might happen if someone was revived from cryogenic suspension without their soul. He doesn’t have a very positive outlook for such a person.
Very existential-sounding plot, right? Of course, it requires that one believes that behavior is dictated by a “soul” rather than something less ethereal like personality, genetics, upbringing, etc. I’m not really all that keen on believing that who I am is contingent upon what my soul is like, or that missing my soul would turn me into a cold, calculating jerk with serpent eyes.
Really, really cheesy serpent eyes, mind you.
I don’t really have a whole lot else to say about this movie. It was rather dull, with no real standout directing or acting. Paul Sorvino is probably the most recognizable name. Beatrice Straight played the mother; horror fans will recognize her as Dr. Lesh from Poltergeist. Dick O’Neill was in it for a hot minute, for all you Cagney and Lacey fans.
I kind of feel as though this was an immense step backward for Craven after he dropped the magnificence that is Nightmare on Elm Street on us all. Then again, people might not have yet twigged to how amazing that movie was and how wondrous Craven could be when given control of his films. He was probably still just that guy who made horror movies to them. A shame, really, that he had to waste time on something like this when he clearly could do far better.