A Grateful Nation

At the eleventh hour of the eleventh day of the eleventh month, we are meant to honor those who protect and defend our country, our freedoms, our rights. So it is on this day as it has been since before even my parents were glimmers in the eyes of their parents.

Last night, 14 hours before we were scheduled as a nation to observe this solemn moment, the Commonwealth of Virginia injected a lethal dose of chemicals into John Allen Muhammad, and a grateful nation ended the life of one of its soldiers who brought his conditioning to kill onto his home soil.

For those not aware, in 2002, John Allen Muhammad and his then 17-year-old accomplice Lee Boyd Malvo were known as the Beltway Snipers. They killed 10 people in the D.C. metropolitan area throughout the month of October. Further investigation determined that they killed numerous others during a cross-country trip that zig-zagged from Washington State to Arizona to Alabama to the D.C. area. Muhammad trained Malvo using the sniper skills he acquired from his military service, which included deployment during Operation Desert Storm.

Even after more than 7 years, I can still tap into a fear that I thought unfathomable before that October. The year prior, our entire country felt fear injected through our universal veins. But it was still a disconnected fear, even for those of us who work and live so close to the Pentagon, who have family and friends who worked there, or in the Twin Towers. Yes, it touched our lives. Yes, I knew people who lost loved ones in the attacks. But it touched me in the way that any such violence touches us: with distant whispers that, yes, such things happen…but not directly to me.

Muhammad and Malvo brought the whispers close to our ears, ominous threats breathed down our necks with icy intimacy. It was the frustrating randomness of it all that crippled us. People doing everyday tasks…pumping gas, vacuuming their cars, shopping for groceries, waiting for a bus. We took these tasks for granted until the day we realized that someone out there could at any moment end our very existence simply because we needed a gallon of milk or to top off our tank before we headed home.

Why?

What in Muhammad’s life brought him to these acts? Reports after the fact indicated that he showed signs of disturbance during his service time. But in war there is little time for coddling or concern. And then they are processed out at the end of their service…and then what?

We send these soldiers out into battle. We train them to kill and we ask of them the greatest sacrifice that any human is able to offer, that of their own life. And they do it, because it is their job. Their duty.

They come home and what then becomes of them? The suicide rate among soldiers is at an alarming high right now. We weren’t even sending those with physical wounds and scars to decent treatment centers for a while, so is it any surprise that those with internal scars should completely fall through the cracks?

Of course, all of this is speculation on my part. Maybe Muhammad was deeply damaged prior to his service. If true, though, it begs the question of how he was able to pass through the ranks undetected as insufficient for military duty, especially duty that would train him to be a sniper. Maybe his military time had nothing or little to do with his actions in 2002. Then again, life is not a series of perfectly separated incidents. Our lives are tapestries, woven together in complex, overlapping patterns. Tug one thread and a thousand begin to unravel. Even soldiers not yet deployed to combat zones can crumble under stresses unseen or unknown until it’s too late. The recent events at Fort Hood stand as proof of this.

Only when it is too late do we finally respond with a resounding call to “make them pay” for their crimes.

The United States has executed more than 1,000 people since the death penalty was reinstated in 1976. We claim that states with the death penalty option see fewer crimes deemed punishable by death. Crimes still occur…just not ones bad enough to qualify for death. Some view this as justification for government-sanctioned murder. The system works!

Some will undoubtedly call me naive and a bleeding heart. They’ll accuse me of not understanding because I have never lost someone to the crimes of another. And that’s very true. I cannot say what that would do to me, how that would change my opinion. But I do not know for certain and, to be honest, I do not ever want to know.

So in my naivete I grapple with these questions. When is murder right? When we sanction it with yellow ribbon magnets on our cars and Veterans Day sales on camcorders and iPods? When we obfuscate it with words like “justice”? Will humanity ever reach a point in which we no longer feel entitled to kill each other for our differences, our prejudices, our possessions, our beliefs? Or are we simply too defined by genetic programming that trickles down through the millennia to the time we burbled up from the primordial ooze? Are we nothing more than animals who learned to make laws we will inevitably break? Or can we aspire to become more? Become better?

I don’t know. Maybe, though, that’s the best place to start.

Flashback Friday: “Universal Sign Edition”

November now and thus the end of the Halloween-themed Flashback Fridays. Ah well.

This is a bit of an odd one: It’s a “rerun” if you will…a blog post that I made on October 18, 2006, during my Angry BloggerTM days.

I was stuck on the road for almost 3 hours last night because of the stoplight computer crash that I discussed yesterday. Obviously, I had plenty of time to think…and sift through all the flotsam that floated up when I set my iPod to shuffle (where the hell did that Emmy Rossum song come from?!). Of course, the sun began to set during my commute, and something about the colors reminded me of my 30th birthday trip to Ireland.

So this morning, I went back to the blog entries that I made right after that trip, and I found this little gem. It’s actually one of my favorite posts from those days. I hope you enjoy it, too.

Oh, and as an added bonus, here are two versions of a PhotoShop project that I’ve pretty much been working on ever since that trip. It’s a shot I snapped while on our tour of Glendalough. As you can tell, I’ve been going a bit tweak crazy. I can’t help myself. I loves me some PhotoShop!

glendalough_bw

glendalough_color

And here, now, is my 10.18.06 blog post, originally titled, “Universal Sign Edition.”

The cabbie who had driven us from the airport to our hotel had recommended this as a great pub for music and dance. We wanted a place to unwind; I wanted a place to have a proper pint and a glimpse of the Dublin norm to top off our touristy day. Inside, bodhr

“Beyond Ctrl+Alt+Delete”

stupidcomputer
That’s how our local talk radio traffic reporter described the hella awful computer meltdown that’s been crippling the D.C. commuter scene since early yesterday morning. Seems that the computer system that runs the operation of all the county’s traffic lights took a massive nosedive right at the beginning of yesterday morning’s rush hour. What did this mean? It meant that the transitional program that switched all 750 stoplight systems from “normal” to “rush hour” mode was not there to perform its function. So all those stoplights remained stuck in “normal” mode.

And that’s when rush hour traffic became traffuck.

Can you believe this? An entire county crippled by what WaPo described as “a Jimmy Carter-era computer.” Are you kidding me? Jimmy freakin’ Carter? You mean that peanut farmer who was elected president the year I was born? For a human, that ain’t all that old. In computer years…well, let’s just put it this way: I think Bette Davis is in better condition than this computer system. My iPod can do more advanced technological tricks than a late-70s-era computer system!

The solution? Right now, technicians are driving around the county, resetting the stoplights manually. Yeah. They’re also keeping in touch with each other via smoke signals and Pony Express.

Meanwhile, HAL is still not responding to resuscitation. So this morning’s commute was even worse than yesterday’s. A drive that should take me 25 minutes but usually takes me double that time during rush hour took me almost 2 hours this morning. Can you guess how unhappy Loba was this morning? I couldn’t even stand listening to my iPod, I was so irritated.

I really hope the computer geeks figure things out before the evening commute. I don’t know how much longer I can contain my LobaHulk Fury. You know how temperamental red heads can be…

Didn’t You See Me?

So in all my excitement over “the most wonderful time of the year” for me, I forgot to mention my traffic altercation.

Friday afternoon, my boss came in around 3 and said, “Why don’t you go home early?” Seriously? Early Halloween treat!! Score! So I packed up my junk and happily headed out to Sammy for the commute. I had dinner plans later in the evening, but I decided that I would just burn up some time perusing the books at a Barnes and Noble near where I was heading rather than trudge all the way home. Any excuse to look at books, right?

Traffic wasn’t too bad on the Beltway, but I reached the exit to the main thoroughfare I needed to get where I was going and things started looking grim. Apparently, I’m not the only one who got to bail on work early that day, fo’ sho’.

So traffic is snooching along at a sluggish pace with spurts of total traffic light stoppage. At one particularly long red light, I kind of zone out a bit, staring out the front window while listening to a podcast. Then I feel Sammy lurch forward. I immediately think that I’ve somehow become so distracted that I’ve let my foot slip from the brake a bit. I strengthen my pressure on the brake, but I happen to glance into my rearview mirror as I’m doing so.

Behind me, there’s a woman sitting in her car, gesturing at me with a “homeless crazy” kind of frenetic energy. She then gets out of her car and starts marching over to my driver’s side window. That’s when I realize that the lurch was not my error; apparently, Sammy just got bumper-kissed.

I roll down my window, prepared to say something like, “I don’t think you hit me hard enough to get that worked up,” but before I can say a word, she starts yelling at me!

“Didn’t you see me?”

Um. Didn’t I see you what? Hit me?

So I put Sammy in park and turn on his hazards. The light is still red, but I want to be cautious. “Homeless Crazy” is still yelling, “Didn’t you see me?” in a huff that indicates she truly believes that I was somehow at fault for being one of the four cars ahead of her, stupidly stopped at a red light.

So I turn to look her in the eyes and state as clearly and obviously as possible, “You. Hit. Me.”

She suddenly just stops talking to me and turns to go look at her car. Not mine. Hers. I follow, look at her bumper and then mine. Nothing. No dents. No scratches. Not even rubber marks from her bumper caps. Nothing. I didn’t expect there to be anything. It really was the most incidental of taps. Definitely nothing worth the hassle of having to deal with her.

I look up, prepared to hear her ask her ridiculous question again, and I see that she’s gotten back into her car! I decide that this is probably for the best since I don’t really feel like dealing with her anymore and having her kill my Halloween buzz, so I do the same.

Only, as I’m putting Sammy back into drive and getting ready to go, I glance again into my rearview mirror. “Homeless Crazy” woman is snapping a photo of the back of my car before zipping into the next lane and passing me!

WHATHAFU?

Now, believe it or not, I’m actually quite used to seeing people snap photos of Sammy’s derriere. I have two items on his bumper and trunk that people find particularly amusing. In fact, the other day I nearly backed over a teenager who thought that it would be a good idea to squat down to snap a photo right before I started to back out of a parking spot. Don’t they even pretend to teach common sense in schools anymore?

I don’t think “Homeless Crazy” was at all interested in Sammy’s baubles, though. I’m not sure exactly what she was up to, but you can bet that I immediately called my insurance company. I refuse to have some nutter try to scam me or Sammy. As I explained the altercation, my insurance agent actually started to laugh. Good sign, right? So she made a note in my file and promised that if anyone contacted them regarding an “accident” involving my car, they would let me know.

So, there you go. I continued on to Barnes and Noble, where I roamed about longer than I anticipated (surprising, I’m sure) and bought a book of favorite scary stories as listed by famous modern-day scary story authors. Not a bad ending to this tale, no?

And hopefully, this really is the end of it. I’ll be sure to let you know if it’s not…

Bevan Break: Red

Craig Bevan revisited. Like what you hear? Then visit his YouTube channel to hear his other covers, including a very fun cover of Montell Jordan’s “This is How We Do It.” Love the hat flip, by the way, Big G 😉

And if you’d like to hear something original from Mr. Bevan, listen here. These are his songs, posted to his MySpace page. I love all these original songs, but I think my favorite is “Every Day She Told Me.” Although I love the richness and layers presented in “I Think We’ve Made It.” They’re all wonderful, really. Listen to each one. You won’t regret it.

50BC09: Book Number 38

wake

I’m very glad that I didn’t immediately post about my latest book right after finishing it. I’m glad that I looked into the back story a bit more, because I learned that Robert J. Sawyer’s latest novel, WWW:Wake, is the first in a planned trilogy of books. That makes things a lot more understandable. Well, okay, it doesn’t really. But it does at least explain why so many story threads in this novel were left dangling in front of me in such an irritating way that I wanted to reach out and rip them to shreds like Blondie told me to a long, long time ago.

I’ve read Sawyer once before during this year’s challenge and I very much enjoyed what I read. I didn’t enjoy this book quite as much, but it’s still an interesting read. The fact that it’s only part of a proposed series is something that they might want to mention in the first novel. It makes all the difference between thinking that Sawyer got really lazy toward the end and knowing that Sawyer is simply laying groundwork for future portions of the story. Also, it took a bit of doing to get used to Sawyer writing as a 15-year-old girl. I have to admit that I started imagining Sawyer going into chat rooms and pretending to actually be a 15-year-old girl, in an effort to perfect his cadence and grasp of all the hip young people slang. That by itself was really creepy and disconcerting.

Anyway, basic plot outline: Caitlin Decter, the young protagonist in question, was born blind. Her blindness, however, is due to Tomasevic’s syndrome, “which was marked by reversed pupil dilation: instead of contracting in bright light and expanding in dim light, her pupils did the opposite,” according to the novel. A Japanese scientist, Dr. Kuroda, has developed a signal-processing device that can be attached to her optic nerve with the hope that it can correct the syndrome and begin to correctly process visual input and allow her to see. She goes through with the surgery to have this device implanted…and things proceed to get very sci-fi weird from there.

Caitlin can’t see “normally” at first. Instead, she starts to see what everyone soon determines is a visual representation of the World Wide Web. They deduce that it’s because she grew up as a child of the online revolution and she spent so many hours in front of a computer (never mind that she was blind and staring at a monitor usually in the “off” position). Things may or may not sort themselves out properly. I’m not saying…you’ll have to read the story yourself.

There are also parallel stories about a videoconferencing chimpanzee hybrid named HoBo and a Chinese dissident blogger as well as a disturbing Chinese cover-up, but none of these stories is resolved in this book. Neither, really, is Caitlin’s story.

I think the book was intriguing enough that if I see the sequels pop up at my library, I’ll probably check them out. But I don’t think this was captivating enough that I would purposely seek out the sequels. I apparently am that fickle a fan.

Final score: 3/5. Not a bad read (and very quick), but I definitely enjoyed Sawyer’s Calculating God much more.

Time Enough At Last

teal

Talk about the perfect weekend: First it’s my favorite holiday, then it’s the weekend in which our clocks “fall back” an hour, pretty much giving us a free hour to use as we see fit. Me? I’m using my spare time to catch up on some commentary tracks on some tasty terror flicks. I’ve listened to the commentaries for Halloween and A Nightmare on Elm Street, and now I’m at the beginning of the track for The Exorcist. If there’s time, I might pop in the commentary for Blair Witch, which is one of the most amusing commentaries I’ve ever heard.

In between all this horror movie indulgence, I also finished my latest 50BC09 choice. I’m probably not going to write the review just yet, as I’m still trying to process it and figure out what I want to say about it. But now I’m one book away from being finished with library books. W00t, indeed.

I also wanted to tack on two honorable mentions to yesterday’s list of my favorite horror flicks (oh, and in case you were wondering, Halloween and The Haunting were both viewed yesterday). The reason these weren’t on my list is because I don’t own one of them, and I own the other but I’ve never had the courage to watch the DVD.

First is Tobe Hooper’s 1974 mind rip, The Texas Chain Saw Massacre. This is the one that I don’t own, and I don’t think I ever will. If you’re looking for a movie that cuts way too close to the bone (ha ha) and leaves you feeling completely freaked out by the shear possibility of the entire plot, then you need to see this movie. Taking place along the back roads and secret pathways of Nowhere, Texas, Hooper drops you right into the steamy, sweaty, claustrophobic terror of his story and doesn’t relent until the very last frame. There’s slight exposition at the beginning, but the horrifying action is quick to begin and doesn’t let up for an instant. There is no reason for the terror…simply the fluke of being on the wrong property and encountering the WRONG person at the very wrong time. If you’re easily disturbed, this is probably a movie you’ll want to avoid. There are several squirm-inducing scenes, including the introduction of Leatherface, one that involves a meat hook, and a dinner scene in which Hooper brings us right into our protagonist’s face, filling the screen with an unflinching and unforgiving shot of the terror in her eyes. This is definitely a genre must-see, but it’s one that I think I can go without ever seeing again. That’s a kind of fear that you don’t need to repeat to remember.

Speaking of which, my second honorable mention is Gore Verbinski’s 2002 film The Ring, a remake of the Japanese horror movie, Ringu. I own this one, but I’ve never watched it. Why? The visuals messed with my head so badly that I couldn’t shake them for weeks after seeing this movie in the theater. I really can’t explain the rationale behind this. After all, I’ve seen dozens upon dozens of horror movies. Some stick with me longer than others…but I daresay none has messed with my mind quite as dramatically as The Ring. This fact actually irritates me, because beyond being a wonderful horror movie, this is gorgeously filmed. Again, if you are a film aficionado, you need to see this movie. Verbinski does wonders setting the perfect atmosphere through colors, shadow, and light. And all the actors were amazing, including Daveigh Chase as Samara, the freakiest little girl to hit the big screen since Linda Blair as Regan MacNeil. I so desperately want to watch this one again. I just need to figure out how I can do it without seeing those scenes that freaked me out so badly the first time. Is it wrong to watch an entire horror movie through the spaces in between one’s fingers? 😉

Trigger Treat!

We've opted not to dress up this Halloween.
We've opted not to dress up this Halloween.

One of my favorite vignettes from my dad’s childhood is his first Halloween. Because he was dressed as a cowboy, he thought he was supposed to knock on people’s doors and say, “Trigger Treat” rather than “Trick or Treat.” Apparently, he thought he was Roy Rogers that night…and if none of this makes any sense to you whatsoever, all I can say is welcome to my brain.

Anywho. HAPPY HALLOWEEN, denizens! No matter what your plans are for this festively festering holiday, I hope you have a howling great time! As for your lupine mistress, I’m opting for a quiet evening in with the Collective. We shall be viewing one of our favorite horror movies. We simply haven’t decided which one that will be just yet. But we can assure you that it will be one of the films from the following list of Loba’s Most Viewed Scary Movies.

Perhaps a few on this list might feel worn out and trite. I will be the first to admit that there are a few that I stopped watching after a while, simply because so many other movies began copying their style and they lost their horror-ific appeal. However, once the unforgiving glare of Hollywood hype and imitation dies away, the originals always rise once more, like the ever-resilient undead rising from the boggy swamps to feed once more on tasty, tasty brains.

This list is in alphabetical order since there’s no way that I could put them in order of love (I love them all so very much), but I had to put them in some kind of order. The Collective craves order, you know. Also, you may note that some of the movies that I have already claimed to love are not on this list. These would include The Exorcist, A Nightmare on Elm Street, Pet Sematary, and Poltergeist. Both because of the fact that I’ve already discussed them at length before and because they are each must-see classics of the genre (yeah, I’d even put Pet Sematary in this class if only because of its campy, crusty goodness), I’ve left them off this list. That should in no way be inferred as me disparaging them in any way. In fact, if you haven’t seen any of these movies, ignore the following list and take care of watching these first. That’s an order.

Oh, one more thing…there are no bloody remakes here. I’m a strong believer of the “If it ain’t broke…back the hell off” mindset, especially when it comes to the movies on this list. The originals are inimitable and irreplaceable.

  1. Black Christmas
    • This 1974 Canadian import has all the marks of a really cheesy slasher flick: It takes place in a sorority, with a bunch of giggly, jiggly drinking girls. It’s got an over-the-top villain who likes to make obscene phone calls to said girls. It also utilizes a twist toward the end that, without revealing what it is, has been used again and again in so many horror movies. Oh, and the ending itself…I love horror movies that end like this one did. The one thing that this movie has that all its imitators don’t is the fact that all these things that sound like horror movie cliches were new and original for Black Christmas, which is considered to be the first “slasher” movie to hit the genre with all its blood-soaked gory…er, glory. Look for Olivia Hussey, Margot Kidder, and a surprisingly dramatic Andrea Martin. Plus, John Saxon shows up as “The Helpful Cop,” a role that he will make even more famous to the genre when he returns as Nancy Thompson’s cop dad in A Nightmare on Elm Street. Here’s the original trailer. Personally, I think this trailer gives away too much and really doesn’t do the movie much justice.
  2. The Blair Witch Project
    • What I love most about this movie is the fact that so many people were convinced that it was real. This is one of the earliest “mockumentary” films that I can remember. I also love that this was filmed right here in Maryland. Finally, something good comes from the Old Line State! Yes, the actors who star in it hit the “overact” button way too often, and that detracts a bit, but look beyond that and you will find a fundamentally sound and strong and truly terrifying story. And it’s all presented without ever showing you a thing. Sometimes it’s all about atmosphere, and that’s the key word for this gem. The only really negative thing I can say about it, beyond the acting and the still-sour taste of its overdrive hyping, is that it can make you nauseous if you get easily jarred by frenetic motion. My advice is to pop some Dramamine and settle in for a great, old-fashioned scary campfire tale.

    Blair Witch Bonus: In 1999, the Cartoon Network put together the following bumpers that they played during commercial breaks for their 25-hour Scooby Doo marathon. Someone pieced together all the bumpers for “The Scooby Doo Project” and placed them on YouTube, much to my Scooby-loving delight. Hope you enjoy, too!

  3. Candyman
    • I had a difficult time deciding which Clive Barker movie I wanted on this list. I love Hellraiser and I think that Pinhead is one of the most loquacious villains to ever come from the dark underworld. But Candyman is like no other. Set in Chicago’s Cabrini Green projects, this movie dares to present us with possibly the first (and only?) horror movie villain to arise from a completely urban setting. Freddy, Jason, Michael…these guys all hang in the ‘burbs or at summer camps. But Candyman rises from areas that most would stamp with phrases like “slum” or “urban blight.” His story, in another genre, would be filled with pathos and tenderness. In this setting, Barker turns him into a silver-tongued slayer, whose silken tones capture and hypnotize his prey into a willingness to “be my victim.” Plus, Tony Todd is quite simply made of awesome. Without him as the eponymous “writing on the wall…whisper in the classroom,” I don’t think this movie would have been nearly as wonderful as it was.
  4. Carnival of Souls
    • This 1962 classic is the only Hollywood-level feature film ever made by director Herk Harvey. He made mostly documentary and educational films for Centron Productions in Lawrence, Kansas. While coming back from a shoot in California, he passed by the abandoned remains of Saltair, an amusement pavilion built in 1894 on the banks of Salt Lake in Utah. He was so fascinated by the image of this place against the dusk sky that when he got back to Lawrence, he asked Centron coworker John Clifford to write him a script that would end with “a dance of the dead” at this abandoned pavilion. The end result is one of my all-time favorite horror movies. Starring Candace Hilligoss as organist Mary Henry and Harvey himself as “The Man,” this movie builds a perfectly chilling atmosphere. There are no budget-breaking special effects or CGI freak-outs. But that’s the beauty of this movie: It lives as testament that you can make an absolutely enthralling and chilling film with no bells or whistles. Just some awesome organ music and an abandoned amusement park.
  5. Halloween
    • The ultimate cliche, no? Recommending Halloween for Halloween viewing? Pay no attention to the sequels or the remakes. They can only serve to detract from what I think is one of the greatest horror movies ever made. In fact, I would place this at nearly the top of my list. Together, John Carpenter and Debra Hill wrote a solid, satisfyingly scary script, which Carpenter brought to life in high cinematic style. He may have been on the ultimate of shoestring budgets when he was filming, but you sure can’t tell by looking at it. He knew the dimensions of his shots better than most directors, and he utilized every inch of the frame to full and frightening effect. One of my absolute favorite scenes from this movie is a perfect example of this talent and involves nothing more than two of the actors, a darkened hallway and a blue light bulb. Michael Myers is without a doubt my favorite “boogeyman” and the fact that he wears a slightly altered Captain Kirk mask throughout makes him even more awesome. Plus, you can witness Jamie Lee Curtis’s birth as “The Scream Queen.” As for the remake that wanted to “explore the makings of Michael Myers,” there’s no need. Dr. Loomis explains it to us perfectly: “I met him 15 years ago. I was told there was nothing left. No reason, no conscience, no understanding; even the most rudimentary sense of life or death, good or evil, right or wrong. I met this 6-year-old child with this blank, pale, emotionless face and, the blackest eyes… the Devil’s eyes. I spent 8 years trying to reach him, and then another 7 trying to keep him locked up because I realized what was living behind that boy’s eyes was purely and simply…evil.” Good enough for me, Doc.
  6. The Haunting
    • If all you’ve ever seen is the 1999 remake of this movie, I’m so very sorry. If ever there was a reason why Hollywood shouldn’t attempt to remake a classic, that piece of fecal crust is my prime example. It defiles the name of a double-hitter joy for me: An exquisitely executed horror movie based on one of my favorite scary novels. Director Robert Wise bought the rights for the story after reading Shirley Jackson’s novel, The Haunting of Hill House, and later met with the author to discuss how she envisioned this story being brought to life on the screen. She is in fact the one who told him that one of the original titles she considered for her novel was the abbreviated “The Haunting.” What makes this movie work so well for me is the cinematography. Wise creates palpable atmosphere (I keep using that word in all these reviews! Atmosphere, atmosphere, atmosphere! Trumps blood and gore any day) with skewed camera angles, close-ups, twisting imagery, haunting establishing shots, all surrounding the eeriest effing house you can imagine. Even if you aren’t frightened by the story itself, I’d urge anyone interested in filmmaking to check this out to observe how master directors roll. Literally and figuratively.
  7. Identity
    • “As I was going up the stair / I met a man who wasn’t there. / He wasn’t there again today / I wish, I wish he’d go away.” This is admittedly an odd pick, and not one that stands up to multiple viewings. I was going to place The Sixth Sense here for the “twist at the end” film, but I decided that was too predictable. So here instead is this 2003 offering with its fairly impressive cast, including John Cusack, Ray Liotta, Amanda Peet, Alfred Molina, Rebecca De Mornay, Clea DuVall, John C. McGinley, Jake Busey, and Pruitt Taylor Vince, who has made quite an impressive career out of his nystagmus (it’s a condition that causes your eyes to shift involuntarily). I love the big reveal at the end and still think that it was quite clever. But, like The Sixth Sense, you can only watch this one once for the scares. Any additional viewings will be just because you enjoy the story…which I do. It also sports one of the best “final lines” for any antagonist, which I quote quite frequently. What that says about me is fully up to interpretation.
  8. Scream
    • This one is a purely nostalgic pick for me. Anyone from my generation who grew up on a steady diet of horror movies will love this movie. Kevin Williamson created a smart, sharp, and genre-reverential wonder with this script. There are so many references to classic horror movies…Halloween, Nightmare on Elm Street, Psycho, When a Stranger Calls, The Exorcist, Friday the 13th and much, much more…it’s a cornucopia of horror movie goodness, to be sure. Add to that some incredibly quotable lines throughout, pitch-perfect performances, and a musical cue near the beginning that will spell everything out for you if you’re paying close enough attention, and you have a recipe for a movie that I have watched almost as many times as the next film on my list.
  9. Silence of the Lambs
    • “Tell me, Clarice, have the lambs stopped screaming?” Want to see the inspiration for Dana Scully? Even better, want to see my favorite Jodie Foster movie AND one of my favorite scary movies? Then pop in this 1991 gem from Jonathan Demme. Based on Thomas Harris’s second “Hannibal Lecter” book (although he was merely a bit player in Red Dragon), this movie is the only horror movie to ever win an Academy Award for Best Picture (it’s also in good company since only genre alums The Exorcist and Jaws have received nominations). I don’t even know how many times I’ve watched this movie, but I know that it’s well into the double digits by now. It is one of those perfect storm experiences: Amazing screenplay by Ted Tally; Oscar-winning directing by Demme; and brutally beautiful performance by EVERYONE, least of all being Foster, Anthony Hopkins (both of whom also won Oscars for this film), and Scott Glenn.
  10. What Lies Beneath
    • One of my favorite directors is Robert Zemeckis. He’s responsible for bringing some of my favorite movies to life, including Back to the Future, Who Framed Roger Rabbit?, Death Becomes Her (seriously, when are you ever going to release a special edition of this one, Robert? My patience is wearing thin…), Forrest Gump, Contact…all visually breathtaking movies in which he pushed the limits of the technological capabilities in the best possible ways. So is the case with this tale. I view this as one of the few horror movies in which the CGI and special effects are used in beautifully subtle ways, never drowning out the story but rather enhancing it in all the right ways. Bottom line: This is how horror movies should utilize CGI. Not as a fill-in for the fact that you don’t actually have a story to tell, but rather as ways to make your already scary story even more jump-inducing. Besides, how can you go wrong with Harrison Ford and Michelle Pfeiffer?

So there you go. I hope there’s something here that you might like to see. If not, then I will now direct you to my friend weathereye. He’s a horror hound as well, and he’s been running a Black October feature on his blog in which he’s reviewed a scary movie a day. If you can’t find something either here or at the Weather Station, then I don’t really know what to tell you 😉

I hope you all have a wonderful Halloween. Now, please excuse me. Turner Classic Movies is running a marathon of classic horror movies. I believe right now I have an appointment with The Abominable Dr. Phibes…

Flashback Friday: “You’re Home Early”

Please note that names and associations have been disguised to protect those who still don’t believe me 😉

So I’d like to think I’m a fairly level-headed individual, regardless of how much time I spend indulging my more fantastical pastimes. However, I also acknowledge that my imagination can sometimes get a bit carried away. Whether this incident is such an occasion or not, I’m still not sure. All I do know is that it still sends shivery currents through me whenever I think about it.

One summer during my misspent youth, I stayed with relatives in their always lovely house that made lots of lovely noises. Things were always…settling. Floorboards would pop and shift with the cycling of the HVAC unit, keeping up an almost steady symphony of creaking. This creeped me out the first few days of my stay, but after a while I got used to it and I learned to tell the difference between this temperature-induced shifting and the more substantial creak caused by physical weight.

So on this particular day, I was in the kitchen unloading the dishwasher. As I remember, it was around 1 or 2 in the afternoon, and I was the only person inside the house at the time. I could see the two others who were home with me outside in the backyard.

At the time, the house was outfitted with an alarm system that ran sensors to the doors and windows so that whenever one was opened, it would activate an electronic chime. I heard one of these chimes, coming from the region of the basement where one of the doors that led to the yard and the door for the garage were located. I looked up and saw that both people were still outside. Since they were in the yard near the back door, I figured they would have noticed someone coming in that way, so I assumed the chime was to the garage door.

A few seconds later, I heard the creak of someone walking up the stairs, with a pause on the split foyer before continuing up to the floor where I was. Again, I knew that the stairs sounded a particular way when someone walked up them, and this was definitely that sound. I also recognized the pause before continuing upstairs as similar to the daily ritual of, let’s call this person AB, coming in from work and stopping on the split foyer to hang up her bag and keys before continuing upstairs.

Logically, therefore, I assumed that what I was hearing was AB coming home early. I also assumed that she must have heard the others outside and thought that I was with them, which was why she wasn’t saying anything. I remember calling out her name and saying, “You’re home early.”

Rather than a response, I heard the creaking continue down the hall toward the bedrooms. Again, though, this was what AB always did: came home, dropped off her stuff, and went to the back to change. She must not have heard me, so I just continued putting away dishes.

When I finished about 10 minutes later, the others were still outside, so I decided that I’d join them. I looked down the hall, thinking that I would shout that I was heading outside, but I noticed that the bedroom door was open. I called out AB’s name. Nothing. So I walked down, thinking maybe she was in the bathroom or the en suite.

I don’t think I can properly explain the feeling when I got to the end of the hall and realized that no one was down there…not even the family dog, which was outside with the others. I remember the physical sensation was a sudden sweatiness combined with chills. Plus, there was the flip-floppy feeling of riding a roller coaster going on inside, but without the intermingled fun feeling. This most definitely was not what I would deem fun. Still, I persisted in believing that I wasn’t hearing things. I called out for AB one more time. Still nothing. I went into the room, looked into the en suite and bathroom. Empty. I checked the other bedrooms, but I already knew I wasn’t going to find anyone.

Needless to say, I hauled ass outside as quickly as I could. I went out through the front door and circled around the long way so that I could pass the garage. The door was down and when I looked inside, there were no cars.

I didn’t go back inside by myself the rest of that day.

I’ve always wondered about the extent of our mental abilities, what the untapped regions of our brains are actually capable of conjuring. Could I have subconsciously picked up on a noise that made me think AB was home, and my brain just continued filling in the noises that I expected to hear?

Or maybe AB was at work wishing she was at home, and that somehow triggered these phantom noises in the house, mimicking what she wished she was actually doing? Or was I simply imagining it all? Letting slip loose the reins on my imagination and conjuring a scene that plays out all the time in the scary movies that I love so much?

I still don’t know. Not long after this incident, I had another unsettling experience in this house. Again, I was alone. This time I was sitting in the living room. I had just put in a VHS recording of Dune. From my position on the couch, the previously mentioned hallway was to my left. It was a dull, drizzly day, so the house was darker than usual. I had on one of the table lamps, but there were no other lights on upstairs.

About 10 minutes into the movie, I noticed a flicker of something to my left. I didn’t pay it much attention, though, until I noticed it again a few minutes later. I looked down the hall. Nothing but darkness. Maybe another 10 minutes went by and I noticed the flicker again. I looked down the hall…and now there was light coming from the first bedroom.

Again the sweaty chills. The first encounter still unnervingly fresh in my mind, I decided I wasn’t going to pay attention to this little “issue.” I went back to watching the movie, but I noted the flicker of the light going out a few minutes later.

When it clicked on again, I decide that I needed to figure out what was going on (if this was actually a horror movie, I’d obviously not be the character who survives to the end). I walked into the room, which was of course empty, and saw that the light was coming from a nightlight next to the bed. I checked the plug, thinking that it was maybe loose. Nope, didn’t seem to be. So I turned off the light by its switch…and then unplugged it. Just to be on the safe side.

I went back out into the living room, where the dog was still sleeping on the love seat like she’d been ever since I started the movie. Aren’t dogs supposed to get excited in the presence of something paranormal? She barely registered my return, so I decided that I was just letting my imagination get the better of me again. I moved to the end of the couch closest to the loveseat and sat angled so that I could see the hallway and the stairs that were right next to the living room. I watched the rest of the movie, but I think I was watching the hall more. To this day, when I think of Dune, I think of that afternoon. However, I can’t tell you a damn thing about the movie itself.

Later, I told AB that I thought the plug on that nightlight might be faulty and explained what had happened. They checked it out, it seemed to work fine. Never flickered on and off again as far as I know.

I’ve been in this house many, many times since that summer. I’ve even stayed there alone a few times since then. The settling noises can still leave me feeling unsettled every now and then, but nothing like these two experiences has ever happened to me since.

AB still scoffs at me when I talk about these incidents. But it’s that kind of scoff that leaves me with the impression that she’s seen or heard things there that she wasn’t quite certain of either. Isn’t that right? 😉

Pre-Halloween Treat

Okay, who's sewing this back on for me?!
Okay, who's sewing this back on for me?!

I’ve got something in the works for the main event (nothing major, so don’t get your undies too bunched), but here’s a little pre-Halloween treat of a recommendation for you: Drag Me To Hell. Or as I’d like to call it, Button, Button, Who’s Cursed the Button?

Loba loves scary movies. For this reason, Loba loves Sam Raimi. He, Wes Craven, Tobe Hooper, and John Carpenter helped to pretty much define the horror genre that I grew to love as a wee pup in the 80s. Many of my favorite movies, in fact, come from this phantasmagorical collection of directors.

Raimi hasn’t really focused on horror in quite a while…unless others out there were as horrified by Spider-Man 3 as I was, then I retract this statement completely. However, his last “real” scary movie was 2000’s The Gift, which for some reason didn’t make much of a mark in my memory. I remember that it stars Cate Blanchett and features Keanu Reeves playing a bit of a dickish character, but that’s about all I can give you without looking it up.

Then, of course, he became tangled in spinning the massive web of the Spider-Man mythology. He slammed it out of the park with parts 1 and 2, but after 3 maybe even he realized that it was time to cleanse his directorial palate of the taste of radioactive spiders.

And so he came back home to his horror roots.

[Actually, though, if he’d come back to his “roots,” he would have done yet another movie about a group of friends finding evil in a secluded cabin in the woods. Seriously, Sam, how many more times are you going to do this idea? No disrespect, but Bruce is getting a bit too old to keep whipping out his boomstick for you.]

Back on track: Drag Me To Hell is nothing less than exquisite. If you dig watching a classic horror-style revenge story unfold in classic Raimi style (meaning lots of bone rattles and over-the-top grossness held together by ridiculously well-timed moments of Raimi’s trademark gallows humor), you simply have to watch this movie. I can’t think of one thing from this movie that I didn’t adore (although there were a couple of scenes that left me a bit green around the gills…the “face gumming” suffered by our heroine left me feeling extremely grossed out).

Also, the audio is spot-on chilling. I don’t think any other movie has ever made the rusty screech of a swinging gate so utterly terrifying. I also have to say that the “pwink” sound of a staple coming loose during a particularly tense scene was a wonderfully funny post-production touch.

I want to say so much more about this movie, gush like a little fan girl about my favorite moments…but I want you all to go out and watch it for yourselves to discover the squee-inducing glee that I discovered. It’s been a long time since I saw a horror movie that delighted me as much as this one did. Raimi proves that he can still make us jump and laugh just like the old days, even without Bruce Campbell’s assistance (although other Raimi trademarks are present, including his brother Ted and that freakin’ pimp Oldsmobile Delta 88…where the hell does he keep that road boat in between movies?!). So check it out, see if it makes you as happy as it made me.

Now, all I can hope is that Raimi’s next scary movie isn’t Spider-Man 4