BookBin2011: Raise the Roof

Bit of a nostalgia break this time, denizens. I read Coach Pat Summitt’s book, Raise the Roof, back around when it was first published. I was a student at the University of Maryland at the time, which meant that my transformation into the anti-sports crusader I am today was nearly complete (nothing will turn you against sports, especially college sports, quite like watching the free rides and preferential treatment the athletes receive from some colleges while you struggle to hold onto academic-based grants barely large enough to cover each semester’s book fees).

Still, there was something about Coach Summitt and her Lady Vols that kept me hanging on just a little while longer. I already knew Summitt’s style was anything but the “free ride” variety (one of the many reasons why I continue to respect her). She demands excellence from her players both on the court and in the classroom. You play for Summitt, you go to every class, you sit in the first three rows, you earn high grades, you graduate. Period. I’d seen the HBO documentary, A Cinderella Season: The Lady Vols Fight Back, which followed the UT team through a record-setting low season that ended with them pulling out of their nose dive in time to clinch a second NCAA championship win in a row. Some might think a win is a win is a win. Not Coach Summitt. She refused to have that year’s 29-10 record engraved on their championship rings.

And then the 97-98 season began. Win. Win. Win. Win.

Win.

All the way to very last championship game.

Nothing. But. Win.

You bet your ass Coach Summitt had that record engraved on her team’s rings. Third NCAA championship win in a row, this time with a perfect 39-0 record, with the point differential between teams averaging 30 points in favor of UT. This was one of the finest seasons ever played by an NCAA team, all done with determination, strength, finesse, fire, and quite possibly one of the greatest line-up of players that has ever been brought together to play the game.

Raise the Roof is their story.

Summitt’s Lady Vols that season consisted of only one senior, Laurie Mulligan. The rest were juniors, sophomores, and four of the most audacious freshmen imaginable: Tamika Catchings, Kristen, “Ace” Clement, Teresa “Tree” Geter, and Semeka Randall. Not to be outdone by this foursome, Summitt also had in her pocket two powerhouse juniors: Chamique Holdsclaw and Kellie Jolly.

Holdsclaw will go down in the history books as one of the greatest basketball players to ever run the boards. She is the fifth highest scoring player in NCAA Division I women’s basketball, a first-round pick for the Washington Mystics upon her graduation from UT, and an Olympic gold medalist.

Jolly (now Kellie Harper) spent a year with the Cleveland Rockers right after her graduation and is now the head coach of the N.C. State Lady Wolfpack, obviously a Loba-approved team.

In Raise the Roof, Summitt tells the story of this team’s season-long coalescence, which began even before practices did, during an impromptu pick-up game upon the freshmen’s arrival on campus. I don’t read a lot of sports-related books for obvious reasons, so I don’t have a frame of comparison for this book. I can tell you, however, that Summitt and sports writer Sally Jenkins came together to tell an amazing story. They showcase both the frenetic energy of this team as well as the poetry and passion of the games being described.

I’ve always thought that a top-notch squad of players can rival the beauty and choreography of a ballet when they’re out there on the floor. Summitt and Jenkins capture this essence perfectly, along with insightful character profiles for each of the players and the struggles and successes that brought them together for this perfect team and this perfect season.

Even if you aren’t a sports fan, there is something so inspiring about these hard-scrabble young women and the iron-willed coach who led them to record-breaking victory. Plus, Summitt and Jenkins combined their skills to tell a captivating and eloquent tale that even the sports-disinterested might find enjoyable. I remember loving this book the first time I read it, and I might have loved it even more this time. Don’t think this means I’m going to start watching sports. But even I can recognize that sometimes, some teams transcend the boundaries of all that is negative about sports and elevate themselves to a positive playing level all their own.

Final Verdict: I’m so glad that I’ve finally added this book to my library. I’m just sorry that it was Summitt’s recent upsetting health news that reminded me that it was still missing. Oh, and if you’re wondering, I also recently added Summitt’s book Reach for the Summit to my library as well. I thought that I had read this one, too, around the time I first read Raise the Roof. I was wrong. I’m currently rectifying that. You have been warned…

BookBin2011: SexyChix

I actually finished this comic anthology a little while ago. Is it a reflection of my opinion of this collection that it then completely fell off my reviewing radar?

Yes.

True, I did get a bit…excited by the arrival of my last BookBin entry and pretty much everything else fell off my radar. But, seriously, can you blame me? I thought not.

Anyway, it wasn’t until I saw SexyChix sitting atop a pile of books that were waiting for me to either find space for them on my shelves or to donate them that I remembered, hey! I read that! Can I remember anything else about it?

Kinda sorta. I do remember a few high points. I also remember a few WTF points. However, there is a desert of meh resting between those two summits of emotional response that is probably more damning than anything else.

It’s a shame, really. First, this was the other purchase I made from that really groovy used book store we found while in Toronto, so technically I could claim to have traveled a great distance for this collection. Second, I like being supportive of my gender, especially when I’m supporting the activities of said gender in a forum that is typically male-dominated (such as the comics industry).

That being said, “supporting my gender” cannot be the only thing going in favor of any product. I feel, however, that that’s really the only thing that’s even remotely consistent about this collection. It’s also the major thing making me feel slightly guilty about giving it such an unsupportive review.

Then again, I pride myself in being an equal opportunity whiny hater.

SexyChix is an unfocused mash-up of styles, stories, and skills, the end result of which is discordant and disappointing. Were these short stories only, perhaps the range of plots and topics wouldn’t be so jarring. However, the wildly divergent artistic approaches and talents create a constant visual reminder that this is not a cohesive collection at all. It’s the literary equivalent of a dogsled team in which there are a few very strong, very fast dogs pulling along several dead dogs.

Yeah, I went for the disturbing visual just then. Is it any wonder I hate the Iditarod?

As I said earlier, there were a few bright spots, whether they were for exemplary writing or entrancing artwork. Are these enough to convince me to hang on to this collection?

I want to say yes. I really, really do.

But I can’t.

Final Verdict: Be gone to disappoint someone else.

BookBin2011: Seven of Nine

“Best laid plans” entry here. While perusing Trek books on Amazon.com a while ago, I discovered that there was a Voyager book, written by Christie Golden, all about Seven of Nine. It was called…Seven of Nine. Based on the creative title alone, who wouldn’t want to buy a copy of this book, right?

Yeah, okay, I’m being unduly snarky and I’m barely into this review. Bet you can tell how this is going to turn out, right?

Anyway, I thought, wouldn’t it be nice to have a Seven of Nine book on my shelf, right next to that novel all about Captain Janeway? Janeway and Seven, together again.

It would be nice. But it ain’t happening with this book.

I’m beginning to get a little bit frustrated with Trek novels in general. Minus the joy that the DS9 Season 8 books have brought me, I haven’t really loved any of the Trek books I’ve read in a long time. Even Mosaic was barely a notch above meh, which either means that my tolerance for Trek cheese is diminishing or the books are declining in quality (I suspect it’s a little bit of both, with possibly a smidgen more of the latter…I still loves me some cheese).

I’d say this particular novel is noteworthy only for the fact that it’s a discordant amalgamation of several different Trek plot lines, stuck together with duct tape, chewed gum, and kite string. Just off the top of my head, I’d say that this had aspects of “Violations,” “The Raven,” “Infinite Regress,” “Hard Time,” “Ex Post Facto,” “Phantasms,” and “The Survivors.” Plus, bits and bobs from pretty much every major Seven of Nine-specific Voyager episode made up to the point of this book’s writing.

Additionally, I’ve read so much Voyager fanfiction (there’s a confession for you all) that most of the time I was reading this book I was thinking: A) Most of the fanfic I’ve read was better written; and B) Why aren’t the characters in this story behaving the way they do in the fanfic I like? Because, honestly? I think most of the fanfic writers have a better understanding of the Voyager crew than Golden seems to have.

But maybe that’s just me.

Whatever the reasons, I simply didn’t like this book. Didn’t like the plot. Didn’t like the character depictions. Didn’t like. Period.

Final Verdict: Alas, poor Captain Janeway will have to remain by herself on my virtually Voyager-free bookshelf for a bit longer. This book shall not pass.

BookBin2011: The Man Who Fell to Earth

I almost feel as though I need to apologize for having never read this science fiction classic before now. Tangentially, I also feel as though I should apologize for having never seen the David Bowie movie either, especially now after having read the book and realizing that of the few people who could plausibly play the eponymous character, “back in the day” skinny androgynous Bowie would be at the top of that list.

I do intend to rectify the movie issue soon, and I’m quite pleased that I have now rectified the literary side of this sci-fi faux pas of mine. Walter Tevis’s novel is, quite simply, marvelous. Rather than being all about the ‘splosions and space battles, The Man Who Fell to Earth is instead a quiet treatise on the more sociological/philosophical/political aspects of the genre. The story focuses on the arrival, survival, integration, and subsequent discovery of “Thomas Jerome Newton,” an Anthean sent to Earth as a savior for his nearly extinct people.

The story as it flows from Tevis’s imagination is provocative and introspective, composed of poetry and perfect prose. If you find traditional science fiction to be intimidating, you might want to give this story a try. This could very well be the gateway drug that will pull you into the genre.

Also, for a book originally published in 1963 (there have been minor updates to the text since then), this story never feels outdated. To the contrary, it almost completely transcends the shackles of age that so many “futuristic” novels cannot escape. Admittedly, there are some gadgets and gizmos that come across as charming and quaint. Some, however, are quite prescient.

Final Verdict: I do believe that The Man Who Fell to Earth will be falling into my collection at some point soon.

BookBin2011: Poe: A Life Cut Short (Ackroyd’s Brief Lives)

This one will be…brief. Heh.

I’ve already read one book this year that could be partially categorized as a biography of Edgar Allan Poe. However, when I saw Peter Ackroyd’s rather diminutive biography on one of my favorite authors, tucked away on a shelf at the library, I decided in that instant that I needed to read yet another one.

Admittedly, I didn’t really learn much from Ackroyd’s telling of Poe’s upsetting life and death. And it is upsetting. Just like so many of his macabre tales, his was a tortured soul. Some of it was external, but much of his torment sprang from demons of an internal sickness that raged within him until the very end.

If you’ve never read a biography on Mr. Poe, then I would highly recommend this one. It’s a bit more thorough than my previous Poe-related read this year (although that one is holistically more interesting) and it never does Poe the dishonor of sugar-coating any aspect of his life. However, if you have read anything on Poe, you, too, might find this to be simply an exercise in revisiting already known information in a well-researched and well-written way.

Final Verdict: It was an interesting refresher course on Poe’s life that I will now gladly return to the library.

BookBin2011: Batman: Whatever Happened to the Caped Crusader?

I’m in the process of reading another book, but I also picked up a small stack of graphic novels during my last trip to the library (I can’t not get books when I’m in a library, denizens…I’m just too weak), and they’ve been taunting me with their colorful goodness ever since.

Especially this particular collection. Anyone who has been following my reading exploits here at the lair knows that I do loves me some Neil Gaiman. Even when I’m less than impressed by one of his offerings, I still find something enjoyable to his skills as a writer.

So finding out that he had penned a two-part comic for Batman in the vein of Alan Moore’s Whatever Happened to the Man of Steel? was quite a delightful discovery. Even though I was less than enamored of Moore’s take on Superman’s fate, I liked the concept of giving an “end” to an unending character.

[Loba Tangent: Does that make sense? If you’re a comic book fan, I suppose it does. Because comic nerds and Trekkies both know: No one ever really dies in these universes. They just come back as blonde Romulans.]

Gaiman, however, has written an amazing two-part tale for the Caped Crusader, a beautiful take on the eternal recurrence of the Batman mythos. It’s so perfectly penned, this fever-induced dream scape in which Batman’s demise is retold in myriad ways from myriad sources, each one subjective and surprisingly sentimental. Alfred’s story is particularly poignant and gives a view of the Caped Crusader that is heart-rending and bittersweet. And the ending? Pitch perfect, IMHO.

This collection is rounded out with three other Gaiman-penned tales, including one that is a delightfully meta take on the comic book character existence being similar to that of actors on set filming scenes for a movie. The interaction between Batman and the Joker is delicious and the rather abstract artwork adds to the surrealism of the story. The final two tales focus on Poison Ivy and the Riddler and are relatively Batman-free minus flashback appearances. Both are yet more exceptional storytelling from Gaiman, presented from his rather unique perspective on the inhabitants of Batman’s beloved Gotham.

The artist for this collection was Andy Kubert, who has worked on major titles for both Marvel and DC, with inking by Scott Williams and coloring by Alex Sinclair. It’s difficult to truly judge Kubert’s artistic style here, because Gaiman asked him to base his drawings on the artistic styles of past Batman artists like Jerry Robinson, Carmine Infantino, Neal Adams, and Batman’s creator Bob Kane. As a mimic of these other styles, Kubert does an admirable job. However, I think that I was less than impressed by the overall impact because I am still reeling from the incomparable beauty of Blacksad.

I know, it’s not fair at all to compare these two graphic novels…but, seriously, denizens? Blacksad is GORGEOUS. Anything that follows it is going to be like being the kid who has to follow the honor roll student who built a working scale replica of the planets’ trajectories around the sun…and all you have is a papier-m

BookBin2011: Blacksad

Palate-cleansing time, denizens. I needed something a little less dense to recuperate from the exhaustion of slogging through my last BookBin read. So while at our local library this past weekend (where I was ironically looking for The Girl Who Played With Fire), I strolled over to the graphic novel section.

[Loba Tangent: I’d like to point out that our library has set up a corner designed as though they knew one day I would walk through their doors: graphic novels, right next to science fiction, right next to horror. I could kiss those crazy, prescient librarians.]

I noticed a couple of new titles since my last visit, including an oversized book with a bizarre name and a gorgeous and confusing cover. Plus, the font choices and placement screamed homage to 40s-era noir film posters, which also intrigued me, especially when combined with the anthropomorphic punim glaring at me through the ciggie smoke.

Blacksad was a remarkable find, denizens, and one we can thank Dark Horse Comics for bringing to the U.S. market. It took a while for these comics to be translated from their original Spanish into English; in fact, the third offering in this collection had never appeared in translated form until this compendium. But I can assure you, it was worth the wait.

Author Juan Diaz Canales and artist Juanjo Guarnido combined efforts to bring to the page a gloriously gritty send-up to classic noir tropes of a bygone era…with an animalistic twist. All of the characters, including P.I. John Blacksad, are animals: cats, dogs, polar bears, deer, magpies, horses…all drawn in ways that are eerily human. At times the quality of expression and movement is disconcerting, but the overall effect is stunningly satisfying.

In fact, I’d go so far as to say that it’s worth it to pick up a copy of Blacksad solely for Guarnido’s artwork, full of enough detail to ground it in the reality of its chosen time frame, but presented in these rich watercolor diasporas that give each tableau a hauntingly memorable quality.

Final Verdict: High-quality hard-cover collection of fast-paced, well-written stories presented through some of the most gorgeous, gritty illustrations I’ve ever seen in comic book form? Definitely at the top of my wish list for ASAP addition to my library.