One of my earliest memories is of going downtown to the Smithsonian National Zoo with my aunts. Strangely, I don
Author: LobaBlanca
Flashback Friday: Twilight of the Cockroaches
It’s been a long and lovely day, denizens, so I hope you’ll forgive me if this week’s Flashback Friday entry is a bit short and to the point.
(Don’t think I didn’t hear that collective sigh of relief just then…)
Here is the trailer for one of the very first anime movies I ever saw. When Cartoon Network first started up over here in the States, they used to play all kinds of different anime movies way into the night on Saturdays. It was thanks to these anime marathons that I first fell in love with that enigmatic Vampire Hunter D. It was also when I discovered…Twilight of the Cockroaches:
[youtube http://www.youtube.com/watch?v=4MFg2tg274w&w=640&h=480]
And all that time I thought that MTV was being original with Joe’s Apartment. Also, with an original release year of 1987, Twilight of the Cockroaches beats Who Framed Roger Rabbit? as an earlier example of animation and live action combined into one movie. It also wins as being a superior film with more likeable characters than any other film containing the word “Twilight” in its title.
Ahem.
BookBin2011: The Girl Who Played With Fire
I do believe this is a first for my BookBin entries, denizens: This is the first book I’m refusing to finish.
I didn’t even refuse to finish Stranger in a Strange Land, even though Heinlein’s unapologetic misogyny and startling lack of enlightenment made me want to crotch punch him.
I didn’t even refuse to finish Twilight! And anyone who knows anything at all about me knows that I want someone to suffer for the scourge of the Twilight saga. Someone Mormon.
But I just can’t finish this one, denizens. I made it halfway through The Girl Who Played With Fire, Stieg Larsson’s sequel to The Girl With the Dragon Tattoo, and I reached yet another mention of the “impromptu” tattoo that Lisbeth Salander gave her advocate…and I realized, I just don’t want to know anymore about this world that these characters inhabit. It’s an ugly, brutal world and its primary targets are women.
You know what? I already know how dangerous the world is for women. In fact, I daresay there aren’t very many women out there who need to be reminded of all the potential dangers waiting out there for us. Therefore, I don’t need to have this fact hammered into my head (in oftentimes highly disturbing ways) by the likes of Larsson’s novels.
I already spoke my thoughts on his goals for his Millennium series in my review of The Girl With the Dragon Tattoo. They remain strongly in place. Do I think that there are people out there who might not understand the truths that Larsson was trying to convey with his books? Yes. They’re called men.
I’m not trying to be sexist or flippant with that statement. I have found, however, that men often do not understand why women seem so paranoid or skittish when they are in certain situations. I’m reminded of one of the “death” openings from the series Six Feet Under (which I still think is one of the most brilliant things to come out of Hollywood in many moons).
Each episode began with someone’s death. This particular episode started with a young woman walking alone down a dark street when suddenly she finds herself being followed by a group of men. They start verbally harassing her and when she begins to walk away faster, they take chase. The woman breaks into a full run, heading straight into the middle of the street where she’s hit by a car and killed.
Turns out the guys who were chasing her were her friends. They thought they were being funny. They didn’t understand why what they were doing would in any way be frightening enough to cause their friend to run out into traffic just to get away from them. They weren’t being intentionally malicious. They were just sadly clueless.
Sorry for spoiling that opening for you, but that’s the first thing that came to mind when I was trying to understand why Larsson would feel so compelled to write these descriptively violent books. As obvious as the existence of these things are to women, they apparently remain a mystery to many men. Perhaps something good could come from these readers wrapping their brains around these stories.
Of course, the jaded, pessimistic side of me says that all these books will really be is titillation for explicitly dark-minded souls.
Whatever they may be to others, they are no more for me.
Final Verdict: Library book, so it goes back tomorrow. As much as I do still like the character of Lisbeth Salander, I just don’t want to read anymore from this series. Also, I am now no longer “unsure” about the future of my copy of The Girl With the Dragon Tattoo. I have already moved it to the donation box.
Here Goes…Porter!
I lead a rather compartmentalized life at times. I like it that way. It gives me a sense of order (and probably a false sense of control). Order is comforting. I can write whole reams of paper on the placebo palliative of order. But that can wait for another post.
Back to compartmentalization. I tend to keep the various streams of my life from crossing. Work stays at work. Personal life stays out of my office. Even in my online living, I tend to keep barriers between my Internet PersonalitiesTM. Somewhat. I do cross streams a bit, but it’s somewhat one-sided. It’s kind of like how Tom Jackman tries to keep his life and family a secret from Mr. Hyde. Which doesn’t always work out…but the Bionic EastEnder is there to keep things sorted for the most part, so it’s all good.
What the hell was I talking about?!
Oh, yeah. Compartmentalization. Here, then, is a rare moment when I’m letting Dr. Jekyll’s and Mr. Hyde’s lives mix it up a little bit…for a beery good cause. So there’s a podcast I’ve been listening to for a while now called Here Goes Nothing. It’s a show about…nothing. And everything. It’s whatever you want it to be, really…movies, music, beer reviews, rants, ramblings…the whole nine yards, the kitchen sink, and a partridge in a pear tree. What makes it a gem is it’s hosted by two of the most amazing blokes you’ll ever hear. Not only do I find Boz and Casey to be two of the hands-down funniest people to populate this planet, but I’m very proud to consider them both to be my friends.
Sadly, life has roadblocked their ability to continue to record Here Goes Nothing. All I can say to this is a very loud FUCK CANCER. So, to honor (and honour even) their efforts, their humor, their rants, their chemistry, and their all-around awesomeness, I named my very first attempt at home-brewed beer after their show. I even designed a label just for them:
I was trying to make it a label somewhat akin to the grunge-effect labels used by their favorite brewery, Brew Dog (WOOF CLANG), but with deep, bold colors and a strong “heavy metal” font for my heavy metal dudes. And, of course, we here at LobaBlanca Brewing Co. made sure to include the proper paraphrase of a popular Here Goes Nothing truism (“Now That’s Metal!”)for this particular beer’s quote: “Now That’s Porter.” Here’s what the labels looked like applied to my three bottles:
And now, in that fine Here Goes Nothing tradition…
Loba’s Beer Review: Here Goes Nothing Chocolate Maple Porter
As I already wrote, my cousin did very well in her beer selection for the home brewing kit she gave me, because I love nothing more than a nice dark beer. And how much more black could this lovely porter be?
And the answer is none, none more black.
I cracked open my first bottle and was very pleased to hear the hiss of carbonation. One of my biggest worries was that I didn’t add enough yeast to the brew or that I didn’t activate it enough. It’s not quite as frothy as it could/should be (you can see from the photo that there was no head whatsoever when I poured). However, porters tend to not be as frothy as lighter beers anyway, and I’ve also come close to perfecting a headless pour (do with that statement what you will), so that doesn’t really bother me all that much.
I know very little about descriptive qualities of beer smell other than to say this brew has a decidedly strong, malty, and familiar scent. The smell has the rich quality of a professionally brewed porter…another positive sign.
As for the taste, the first sip was a bit…sedimenty. That would be completely my bad. I ended up siphoning too low into the brew jug and I pulled in some less-than-appealing sediment that I couldn’t then completely strain out. However, I let the glass stand for about 10 minutes and returned for a second sip…which was a mouthful of happy.
Deliciously robust with deep malty undertones and the slightest bite of tanginess at the end is how I would describe this beer. I modified the recipe slightly by adding a cup of black coffee, so I’m not sure what effect that might have had…maybe the tang? I don’t necessarily taste the maple sweetness, but overall, this is a solid, hearty porter. And with a 6.5 percent ABV, it leaves you with a nice, happy buzzy feeling.
I know already where I made mistakes in the process and what I need to do to fix them, but this is definitely something I can see myself doing again. In fact, Brooklyn Brew Shop has released a holiday Gingerbread Ale that sounds too delicious to resist…
And there you have it: My first foray into home brewing. A success? Mostly. Amazing birthday present? Absolutely. Suitable tribute to the awesomeness of Here Goes Nothing? I hope so.
Flashback Friday: My Puppy Puddles
Coming in down to the wire for this Flashback, but that’s all right since I really don’t have a whole lot to say about this one. I hadn’t thought about this particular toy in years…and then an ImagiFriendTM from another part of my online universe posted a link to a YouTube video for Pipi-Max, which is apparently a robotic dog that drinks water and then “pees” on people’s shoes…or heads.
Do what you will with this statement, but this toy idea is not new.
True, the version that I remember from my childhood was not robotic. Instead, “My Puppy Puddles” was nothing more than a plastic dog with furry fabric ears and wheels in its paws so that it would roll behind you when you pulled it along with its leash. To get Puppy Puddles to “drink,” you had to stick its tongue into a bowl of water and squeeze the collar. It would draw water up through the hole in the bottom of the tongue and store it in whatever reservoir it had inside for its “bladder.”
When it was time for Puddles to…puddle? Well…here, just watch this:
[youtube http://www.youtube.com/watch?v=5unAvwnOaYQ&w=640&h=480]
They were far more innocent times, those plastic-loving 70s and 80s…
BookBin2011: Reach for the Summit
See? I did warn you in my last review that I’d finally gotten my hands on a copy of Coach Summitt’s first book, didn’t I? Okay then.
Reach for the Summit is pretty much equal parts business-minded motivational pep talkery, behind-the-scenes glimpses of Summitt’s coaching style, the extensive work and research that goes into each Lady Vol basketball season, and autobiographical side trips along the way. I think I liked the autobiographical tangents the most. Summitt is extraordinarily interesting, not just as a coach but as a person (although I suppose one could argue that one feeds into the other feeds into the other). I think, however, that this might be the closest thing we will ever get from her to an actual autobiography. She doesn’t strike me as the type of person who would willingly participate in just talking about herself.
However, for the purposes of this book, she was willing to allow readers in to see those private sides of herself as a means of understanding the “Definite Dozen System” that she uses with her players and staff and that she and co-writer Sally Jenkins outline as a course of action for those looking to be motivated and inspired in whatever they are doing in life.
I’m not really a touchy-feely, motivational speaker, “Just Hang In There” poster kind of girl. Luckily, neither is Summitt. She is fierce. But with the most successful record of any NCAA coach? She also obviously knows what she’s doing and what she’s talking about. And what she’s defining through this book isn’t some miracle elixir program. She outlines hard work, focus, practice, preparation, and a willingness to change and to also admit when you’re wrong.
But never to readily admit defeat. I don’t really think that’s a word that gets much use in her vocabulary.
I’m not going to tell you what the “Definite Dozen System” includes, because I actually think that this book is worth the read. I even found it to be (gasp!) motivational. And, seriously, denizens, I hate motivational books.
Final Verdict: Keeper. Right next to my copy of Raise the Roof. Woots.
Poster Picks (and Bonus Movie Review): Cloverfield
I haven’t done a two-fer like this since my Runaways review, but I was inspired by my recent re-viewing of Cloverfield as part of my month-long Halloween movie marathon.
So, first, the poster. I’ve decided to go with the initial teaser poster, which had no text on it beyond the movie release date. That’s right, it didn’t even have the movie title on it at first. But, honestly, when you use imagery like this poster uses? You’re just going to attract even more attention by the fact that all you’ve included is the release date. Brilliant bit of marketing, no?
So, no text, no name, no tagline. Only a minimally written date in a nice white font, with dots as separators. Obviously, we’ve got to figure some things out based on what we do have. Let’s start with the primary focus of the poster: a headless Statue of Liberty. Not just headless though. From the exposed, jagged remains of the support frame, the torn copper, and the plume of debris and smoke, it’s obvious that Lady Liberty’s head was removed rather violently. By something very large.
And that very large something has headed into Manhattan. See the wave pattern in the water, leading from the Statue of Liberty toward the destruction within the city? Something has moved from the harbor into the streets…and it is hell-bent on taking down Manhattan. Look at the wreckage of the buildings that were in its way when it came ashore. Look at the plumes of smoke rising from the heart of the city. Look at the helicopters hovering overhead, so incredibly tiny in comparison with the surrounding damage.
Whatever has done all this is large enough that those dinky little choppers aren’t going to do much else besides probably annoy the hell out of it.
Not much else there though, eh?
Not so fast. There are conspiracy theories about “hidden images” in the Cloverfield posters. First, there’s the attacking sea turtle head:
See it? It’s the cloud shape to the right of Lady Liberty’s torch. It seriously looks either like an angry sea turtle…or a peener monster. Personally, I don’t want to think about either attacking the Statue of Liberty…
Next on the list? The smoke cloud monster:
Now, this one is a little more convincing and impressive if it’s true. Take the original poster, duplicate it, flip it horizontally and line up the edges…and voila! See the face? It actually kind of does look like what’s ultimately revealed as the Cloverfield monster. Or any other monster from any other J.J. Abrams movie. The man’s about as original as a Xerox machine.
Which brings me to…
Bonus Movie Review
I hadn’t seen Cloverfield since I went to see it in the theater. I did remember liking it enough that when I saw a used copy for sale for a couple bucks, I went ahead and picked it up (looking back, however, I was probably remembering the fun I had with the friends I went with rather than the actual movie). However, even more vivid was my memory of nearly hurling from the unrelenting shaky cam action. Not even The Blair Witch Project made me feel quite as queasy as Cloverfield did. Every time I thought about watching the DVD, that memory would drown out all others and I would simply put it back on my shelf.
I am pleased to report that the shaky cam was almost unnoticeable to me on the small screen.
More noticeable to me on this second viewing, however, is how truly unoriginal and lazy J.J. Abrams is as a filmmaker. Admittedly, my opinion of him is forever tarnished by the hot mess he ladled into my lap in 2009 with his Trek abomination. That was when I first decided that he was lazy. He could have made an original science fiction film. Instead, he usurped the name of a globally revered science fiction franchise, had some hack writers throw together a script that isn’t even worthy of being pulped into Communist-grade toilet paper, and smeared his Star Wars-loving paws all over a legacy that is so beyond his reach, it’s pathetic.
Why people wouldn’t let me space him for his crimes, I still don’t understand.
But I digress.
Back to Cloverfield. Most people have probably heard it described by genre fans as “Blair Witch Meets Godzilla.” That’s pretty accurate as descriptions go. Although I think a real match-up of the Blair Witch versus Godzilla would not only be awesome, it would be far more original than this movie. It’s fairly derivative as “monster attacking the city” movies go. The only “inventive” addition made here is the Barf-O-Rama shaky cam “found footage” aspect, which wasn’t really all that new by this point anyway.
What’s most troubling, however, and what makes me label Abrams as lazy, is the fact that there are several scenes in this movie that tap directly into a pre-programmed societal fear that was developed on September 11, 2001. New York under attack. Buildings toppled in the middle of the City That Never Sleeps. Plumes of smoke and debris roaring through the heart of Manhattan. Survivors trying to escape by foot on bridges leading off the island.
Some of the scenes from Cloverfield are almost frame-for-frame images that we witnessed on auto-repeat on all the 24-hour news channels that were covering that awful day in 2001. For Abrams and his band of filmmakers to tap into the still raw emotions of that day for what otherwise would have been just another cheesy monster movie (with CGI that has not aged well at all in some areas) feels cheap…and lazy.
I know that great horror often taps into our darkest fears and exploits them. This, however…I don’t know. Maybe I’m being too critical because I hate Abrams so very much. Although I do remember feeling displeased by these scenes the first time I saw the movie as well. Back in the halcyon days in which I still had hope that Abrams wouldn’t punch Trek fans in the collective naughty bits with a power converter from Tosche station while blaring Beastie Boys the whole time.
Douchey hipster tool.
All that aside, though, is this a good monster movie? Meh. There are far better ones. Far more original ones. At best, it’s brainless background fodder for when you want to watch something that’s not going to require any form of activity from you beyond blinking occasionally. I know that there were a bunch of Web sites out there, giving clues about what the monster was…tapping into the new way of presenting a movie as a holistic “new media” experience. Something that Abrams would try again with his Trek movie…only this time it wasn’t for free. “Hey, fans, does none of this make any sense to you? Well, that’s because you have to go buy the accompanying comic book! Then it probably still won’t make sense…but we’ll be that much richer!”
Okay, now I’m just making myself angry…
Photo Fun Friday: The Donner Party
Sometimes, I dip deep into the twisted core of my being…and this is the kind of stuff I pull up…
Happy Halloween weekend, denizens. Celebrate well. Celebrate safely.
Containment Breach!
I love coffee. Anyone who knows me, knows this truth. Don’t try to communicate with me before my initial caffeine intake has had time to reach my blood stream. Bad things might happen to you if you do.
It’s no surprise, then, that I would invest in a coffeemaker that’s a little more high-end than your average Mr. Coffee. It’s not that Mr. Coffee makes bad brew. It’s just…I’m a coffee snob when I’m at home. There, I said it. I am a coffee snob. I rarely buy pre-ground coffee. I buy whole beans, which I store in vacuum-sealed containers and grind per my own various specifications for the perfect cup to fit my varying coffee moods. I have been known to pay top-dollar for specialty selections, like 100-percent Kona beans. I use only filtered water. I tear down my machine for regular cleanings and decalcifications.
I succumb to very few personal indulgences in this life, but coffee is one of them. My coffeemaker of choice for more than a decade has been Bunn. My dad (another coffee fiend) purchased our first Bunn machine when I still lived at home. It was such a magnificent machine that when I finally moved out, my parents bought me my very own so that I would always have a decent cup of coffee to make everything better. The sprayhead on these machines disperses the water over the grounds in such a way that, to me, the end result is a pot of coffee that’s stronger and more flavorful than a conventional Mr. Coffee brew.
The primary reason I have long preferred Bunn machines, however, is because of their “velocity brew” line. These particular machines have a water reservoir that keeps a potful of coffee constantly at a brew-appropriate temperature. The reward for this? All I have to do is grind my beans, place them in the filter, pour in a pot of fresh, filtered water, and 3 minutes later, I have a full pot of perfectly brewed coffee.
It’s coffee nirvana for the terminally impatient.
The downside, of course, is the fact that these pots do expend a significant amount of energy, keeping that tank constantly at brew temperature. Also, if you go through a stretch of time in which you don’t drink a lot of coffee, you still have to remember to either switch off the reservoir or refill it regularly so that it doesn’t evaporate all the water and burn itself out.
The ultimate downside, however? When the reservoir seal fails and the tank leaks all over your counter.
This seems to be the intrinsic failing of the Bunn velocity brew line. And it’s gotten worse over the years. My first machine, the one that my parents bought for me when I moved out, actually lasted me a little more than 8 years. In that time, however, my parents went through three Bunn machines. Subsequently, others in my family (we are a long line of coffee snobs, apparently) went through even more of these machines. Almost every single one ended up suffering the same containment breach.
And now, the Bunn machine that I bought to replace the one my parents gave me has done the same thing. It’s not even 3 years old.
This is unacceptable. And so ends my relationship with Bunn. Obviously, some corporate douche in a suit made the decision to skimp on materials in order to make more money available for their own year-end bonuses. Fine. But you can no longer expect my money to add to that bonus level. Nor the money from my family. And, as far as I’m concerned, from this point on, I’m going to discourage people from wasting their money on anything from the Bunn coffeemaker line.
Hell hath no fury like a coffee snob who can’t make her own coffee at home without threat of electrocution from a leaking reservoir.
After some research, I have decided to give Cuisinart a try. Several of my family have already embraced this brand, including my dad. The problem was, I couldn’t find the machine that I wanted locally, so I had to order it online. It shipped today. I shall report back once I have had it and tested it out. Photos may be included.
Until then, though, you might just want to steer clear of me while I’m un-caffeinated…
BookBin2011: Raise the Roof
Bit of a nostalgia break this time, denizens. I read Coach Pat Summitt’s book, Raise the Roof, back around when it was first published. I was a student at the University of Maryland at the time, which meant that my transformation into the anti-sports crusader I am today was nearly complete (nothing will turn you against sports, especially college sports, quite like watching the free rides and preferential treatment the athletes receive from some colleges while you struggle to hold onto academic-based grants barely large enough to cover each semester’s book fees).
Still, there was something about Coach Summitt and her Lady Vols that kept me hanging on just a little while longer. I already knew Summitt’s style was anything but the “free ride” variety (one of the many reasons why I continue to respect her). She demands excellence from her players both on the court and in the classroom. You play for Summitt, you go to every class, you sit in the first three rows, you earn high grades, you graduate. Period. I’d seen the HBO documentary, A Cinderella Season: The Lady Vols Fight Back, which followed the UT team through a record-setting low season that ended with them pulling out of their nose dive in time to clinch a second NCAA championship win in a row. Some might think a win is a win is a win. Not Coach Summitt. She refused to have that year’s 29-10 record engraved on their championship rings.
And then the 97-98 season began. Win. Win. Win. Win.
Win.
All the way to very last championship game.
Nothing. But. Win.
You bet your ass Coach Summitt had that record engraved on her team’s rings. Third NCAA championship win in a row, this time with a perfect 39-0 record, with the point differential between teams averaging 30 points in favor of UT. This was one of the finest seasons ever played by an NCAA team, all done with determination, strength, finesse, fire, and quite possibly one of the greatest line-up of players that has ever been brought together to play the game.
Raise the Roof is their story.
Summitt’s Lady Vols that season consisted of only one senior, Laurie Mulligan. The rest were juniors, sophomores, and four of the most audacious freshmen imaginable: Tamika Catchings, Kristen, “Ace” Clement, Teresa “Tree” Geter, and Semeka Randall. Not to be outdone by this foursome, Summitt also had in her pocket two powerhouse juniors: Chamique Holdsclaw and Kellie Jolly.
Holdsclaw will go down in the history books as one of the greatest basketball players to ever run the boards. She is the fifth highest scoring player in NCAA Division I women’s basketball, a first-round pick for the Washington Mystics upon her graduation from UT, and an Olympic gold medalist.
Jolly (now Kellie Harper) spent a year with the Cleveland Rockers right after her graduation and is now the head coach of the N.C. State Lady Wolfpack, obviously a Loba-approved team.
In Raise the Roof, Summitt tells the story of this team’s season-long coalescence, which began even before practices did, during an impromptu pick-up game upon the freshmen’s arrival on campus. I don’t read a lot of sports-related books for obvious reasons, so I don’t have a frame of comparison for this book. I can tell you, however, that Summitt and sports writer Sally Jenkins came together to tell an amazing story. They showcase both the frenetic energy of this team as well as the poetry and passion of the games being described.
I’ve always thought that a top-notch squad of players can rival the beauty and choreography of a ballet when they’re out there on the floor. Summitt and Jenkins capture this essence perfectly, along with insightful character profiles for each of the players and the struggles and successes that brought them together for this perfect team and this perfect season.
Even if you aren’t a sports fan, there is something so inspiring about these hard-scrabble young women and the iron-willed coach who led them to record-breaking victory. Plus, Summitt and Jenkins combined their skills to tell a captivating and eloquent tale that even the sports-disinterested might find enjoyable. I remember loving this book the first time I read it, and I might have loved it even more this time. Don’t think this means I’m going to start watching sports. But even I can recognize that sometimes, some teams transcend the boundaries of all that is negative about sports and elevate themselves to a positive playing level all their own.
Final Verdict: I’m so glad that I’ve finally added this book to my library. I’m just sorry that it was Summitt’s recent upsetting health news that reminded me that it was still missing. Oh, and if you’re wondering, I also recently added Summitt’s book Reach for the Summit to my library as well. I thought that I had read this one, too, around the time I first read Raise the Roof. I was wrong. I’m currently rectifying that. You have been warned…
