BookBin2011: Seven of Nine

“Best laid plans” entry here. While perusing Trek books on Amazon.com a while ago, I discovered that there was a Voyager book, written by Christie Golden, all about Seven of Nine. It was called…Seven of Nine. Based on the creative title alone, who wouldn’t want to buy a copy of this book, right?

Yeah, okay, I’m being unduly snarky and I’m barely into this review. Bet you can tell how this is going to turn out, right?

Anyway, I thought, wouldn’t it be nice to have a Seven of Nine book on my shelf, right next to that novel all about Captain Janeway? Janeway and Seven, together again.

It would be nice. But it ain’t happening with this book.

I’m beginning to get a little bit frustrated with Trek novels in general. Minus the joy that the DS9 Season 8 books have brought me, I haven’t really loved any of the Trek books I’ve read in a long time. Even Mosaic was barely a notch above meh, which either means that my tolerance for Trek cheese is diminishing or the books are declining in quality (I suspect it’s a little bit of both, with possibly a smidgen more of the latter…I still loves me some cheese).

I’d say this particular novel is noteworthy only for the fact that it’s a discordant amalgamation of several different Trek plot lines, stuck together with duct tape, chewed gum, and kite string. Just off the top of my head, I’d say that this had aspects of “Violations,” “The Raven,” “Infinite Regress,” “Hard Time,” “Ex Post Facto,” “Phantasms,” and “The Survivors.” Plus, bits and bobs from pretty much every major Seven of Nine-specific Voyager episode made up to the point of this book’s writing.

Additionally, I’ve read so much Voyager fanfiction (there’s a confession for you all) that most of the time I was reading this book I was thinking: A) Most of the fanfic I’ve read was better written; and B) Why aren’t the characters in this story behaving the way they do in the fanfic I like? Because, honestly? I think most of the fanfic writers have a better understanding of the Voyager crew than Golden seems to have.

But maybe that’s just me.

Whatever the reasons, I simply didn’t like this book. Didn’t like the plot. Didn’t like the character depictions. Didn’t like. Period.

Final Verdict: Alas, poor Captain Janeway will have to remain by herself on my virtually Voyager-free bookshelf for a bit longer. This book shall not pass.

BookBin2011: The Man Who Fell to Earth

I almost feel as though I need to apologize for having never read this science fiction classic before now. Tangentially, I also feel as though I should apologize for having never seen the David Bowie movie either, especially now after having read the book and realizing that of the few people who could plausibly play the eponymous character, “back in the day” skinny androgynous Bowie would be at the top of that list.

I do intend to rectify the movie issue soon, and I’m quite pleased that I have now rectified the literary side of this sci-fi faux pas of mine. Walter Tevis’s novel is, quite simply, marvelous. Rather than being all about the ‘splosions and space battles, The Man Who Fell to Earth is instead a quiet treatise on the more sociological/philosophical/political aspects of the genre. The story focuses on the arrival, survival, integration, and subsequent discovery of “Thomas Jerome Newton,” an Anthean sent to Earth as a savior for his nearly extinct people.

The story as it flows from Tevis’s imagination is provocative and introspective, composed of poetry and perfect prose. If you find traditional science fiction to be intimidating, you might want to give this story a try. This could very well be the gateway drug that will pull you into the genre.

Also, for a book originally published in 1963 (there have been minor updates to the text since then), this story never feels outdated. To the contrary, it almost completely transcends the shackles of age that so many “futuristic” novels cannot escape. Admittedly, there are some gadgets and gizmos that come across as charming and quaint. Some, however, are quite prescient.

Final Verdict: I do believe that The Man Who Fell to Earth will be falling into my collection at some point soon.

BookBin2011: Poe: A Life Cut Short (Ackroyd’s Brief Lives)

This one will be…brief. Heh.

I’ve already read one book this year that could be partially categorized as a biography of Edgar Allan Poe. However, when I saw Peter Ackroyd’s rather diminutive biography on one of my favorite authors, tucked away on a shelf at the library, I decided in that instant that I needed to read yet another one.

Admittedly, I didn’t really learn much from Ackroyd’s telling of Poe’s upsetting life and death. And it is upsetting. Just like so many of his macabre tales, his was a tortured soul. Some of it was external, but much of his torment sprang from demons of an internal sickness that raged within him until the very end.

If you’ve never read a biography on Mr. Poe, then I would highly recommend this one. It’s a bit more thorough than my previous Poe-related read this year (although that one is holistically more interesting) and it never does Poe the dishonor of sugar-coating any aspect of his life. However, if you have read anything on Poe, you, too, might find this to be simply an exercise in revisiting already known information in a well-researched and well-written way.

Final Verdict: It was an interesting refresher course on Poe’s life that I will now gladly return to the library.

BookBin2011: Batman: Whatever Happened to the Caped Crusader?

I’m in the process of reading another book, but I also picked up a small stack of graphic novels during my last trip to the library (I can’t not get books when I’m in a library, denizens…I’m just too weak), and they’ve been taunting me with their colorful goodness ever since.

Especially this particular collection. Anyone who has been following my reading exploits here at the lair knows that I do loves me some Neil Gaiman. Even when I’m less than impressed by one of his offerings, I still find something enjoyable to his skills as a writer.

So finding out that he had penned a two-part comic for Batman in the vein of Alan Moore’s Whatever Happened to the Man of Steel? was quite a delightful discovery. Even though I was less than enamored of Moore’s take on Superman’s fate, I liked the concept of giving an “end” to an unending character.

[Loba Tangent: Does that make sense? If you’re a comic book fan, I suppose it does. Because comic nerds and Trekkies both know: No one ever really dies in these universes. They just come back as blonde Romulans.]

Gaiman, however, has written an amazing two-part tale for the Caped Crusader, a beautiful take on the eternal recurrence of the Batman mythos. It’s so perfectly penned, this fever-induced dream scape in which Batman’s demise is retold in myriad ways from myriad sources, each one subjective and surprisingly sentimental. Alfred’s story is particularly poignant and gives a view of the Caped Crusader that is heart-rending and bittersweet. And the ending? Pitch perfect, IMHO.

This collection is rounded out with three other Gaiman-penned tales, including one that is a delightfully meta take on the comic book character existence being similar to that of actors on set filming scenes for a movie. The interaction between Batman and the Joker is delicious and the rather abstract artwork adds to the surrealism of the story. The final two tales focus on Poison Ivy and the Riddler and are relatively Batman-free minus flashback appearances. Both are yet more exceptional storytelling from Gaiman, presented from his rather unique perspective on the inhabitants of Batman’s beloved Gotham.

The artist for this collection was Andy Kubert, who has worked on major titles for both Marvel and DC, with inking by Scott Williams and coloring by Alex Sinclair. It’s difficult to truly judge Kubert’s artistic style here, because Gaiman asked him to base his drawings on the artistic styles of past Batman artists like Jerry Robinson, Carmine Infantino, Neal Adams, and Batman’s creator Bob Kane. As a mimic of these other styles, Kubert does an admirable job. However, I think that I was less than impressed by the overall impact because I am still reeling from the incomparable beauty of Blacksad.

I know, it’s not fair at all to compare these two graphic novels…but, seriously, denizens? Blacksad is GORGEOUS. Anything that follows it is going to be like being the kid who has to follow the honor roll student who built a working scale replica of the planets’ trajectories around the sun…and all you have is a papier-m

BookBin2011: Blacksad

Palate-cleansing time, denizens. I needed something a little less dense to recuperate from the exhaustion of slogging through my last BookBin read. So while at our local library this past weekend (where I was ironically looking for The Girl Who Played With Fire), I strolled over to the graphic novel section.

[Loba Tangent: I’d like to point out that our library has set up a corner designed as though they knew one day I would walk through their doors: graphic novels, right next to science fiction, right next to horror. I could kiss those crazy, prescient librarians.]

I noticed a couple of new titles since my last visit, including an oversized book with a bizarre name and a gorgeous and confusing cover. Plus, the font choices and placement screamed homage to 40s-era noir film posters, which also intrigued me, especially when combined with the anthropomorphic punim glaring at me through the ciggie smoke.

Blacksad was a remarkable find, denizens, and one we can thank Dark Horse Comics for bringing to the U.S. market. It took a while for these comics to be translated from their original Spanish into English; in fact, the third offering in this collection had never appeared in translated form until this compendium. But I can assure you, it was worth the wait.

Author Juan Diaz Canales and artist Juanjo Guarnido combined efforts to bring to the page a gloriously gritty send-up to classic noir tropes of a bygone era…with an animalistic twist. All of the characters, including P.I. John Blacksad, are animals: cats, dogs, polar bears, deer, magpies, horses…all drawn in ways that are eerily human. At times the quality of expression and movement is disconcerting, but the overall effect is stunningly satisfying.

In fact, I’d go so far as to say that it’s worth it to pick up a copy of Blacksad solely for Guarnido’s artwork, full of enough detail to ground it in the reality of its chosen time frame, but presented in these rich watercolor diasporas that give each tableau a hauntingly memorable quality.

Final Verdict: High-quality hard-cover collection of fast-paced, well-written stories presented through some of the most gorgeous, gritty illustrations I’ve ever seen in comic book form? Definitely at the top of my wish list for ASAP addition to my library.